Full Product Details
Author: Paul Emmons (Virginia Tech, USA) ,
Federica Goffi (Carleton University, Canada) ,
Jodi La Coe
Publisher: Taylor & Francis Ltd
Imprint: Routledge
Weight: 0.453kg
ISBN: 9781138479357
ISBN 10: 1138479357
Pages: 252
Publication Date: 30 July 2019
Audience:
Professional and scholarly
,
College/higher education
,
Professional & Vocational
,
Tertiary & Higher Education
Format: Hardback
Publisher's Status: Active
Availability: In Print
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Reviews
This erudite and supremely entertaining collection of essays demonstrates historical and present relationships between architecture's all-important oneiric dimension and the sense of levity motivated by a consideration of ceilings: the vertical dimension of architecture that gives it wings. Imaginary flight, 'winged eros,' is a crucial human gift, our capacity to travel upwards folded with our intimation of transcendence. - Dr. Alberto Perez-Gomez, Bronfman Professor of Architectural History and Theory, McGill University Offering the ceiling as a site of inquiry can seem trivial or even frivolous in the face of so many weighty contemporary issues, but these reflections on the surfaces that hover above our heads provide a thoroughly engaging contribution to a topical philosophy of architecture. - Professor William W. Braham, University of Pennsylvania 'Ceilings are vertical thresholds extending lived space into dream space and dream space into lived space,' writes Paul Emmons in his evocative introduction to this crucial and dreamy anthology he edited with Federica Goffi and Jodi La Coe. The debasement of ceilings during the 20th century has been one of the banes of my (taller-than-average) existence, and so what could be more necessary than a critical investigation of this state of affairs, both architectural and oneiric? - Oliver Botar, University of Manitoba School of Art
This erudite and supremely entertaining collection of essays demonstrates historical and present relationships between architecture's all-important oneiric dimension and the sense of levity motivated by a consideration of ceilings: the vertical dimension of architecture that gives it wings. Imaginary flight, winged eros, is a crucial human gift, our capacity to travel upwards folded with our intimation of transcendence. - Dr. Alberto Perez-Gomez, Bronfman Professor of Architectural History and Theory, McGill University
This erudite and supremely entertaining collection of essays demonstrates historical and present relationships between architecture's all-important oneiric dimension and the sense of levity motivated by a consideration of ceilings: the vertical dimension of architecture that gives it wings. Imaginary flight, winged eros, is a crucial human gift, our capacity to travel upwards folded with our intimation of transcendence. - Dr. Alberto Perez-Gomez, Bronfman Professor of Architectural History and Theory, McGill University Offering the ceiling as a site of inquiry can seem trivial or even frivolous in the face of so many weighty contemporary issues, but these reflections on the surfaces that hover above our heads provide a thoroughly engaging contribution to a topical philosophy of architecture. - Professor William W. Braham, University of Pennsylvania
This erudite and supremely entertaining collection of essays demonstrates historical and present relationships between architecture's all-important oneiric dimension and the sense of levity motivated by a consideration of ceilings: the vertical dimension of architecture that gives it wings. Imaginary flight, winged eros, is a crucial human gift, our capacity to travel upwards folded with our intimation of transcendence. - Dr. Alberto Perez-Gomez, Bronfman Professor of Architectural History and Theory, McGill University Offering the ceiling as a site of inquiry can seem trivial or even frivolous in the face of so many weighty contemporary issues, but these reflections on the surfaces that hover above our heads provide a thoroughly engaging contribution to a topical philosophy of architecture. - Professor William W. Braham, University of Pennsylvania 'Ceilings are vertical thresholds extending lived space into dream space and dream space into lived space,' writes Paul Emmons in his evocative introduction to this crucial and dreamy anthology he edited with Federica Goffi and Jodi La Coe. The debasement of ceilings during the 20th century has been one of the banes of my (taller-than-average) existence, and so what could be more necessary than a critical investigation of this state of affairs, both architectural and oneiric? - Oliver Botar, University of Manitoba School of Art
Author Information
Paul Emmons is a registered architect; Associate Dean for Graduate Studies, College of Architecture and Urban Studies at Virginia Tech; and a professor at the Washington-Alexandria Architecture Center, where he coordinates the PhD program in Architecture + Design Research. Dr. Emmons earned a PhD from the University of Pennsylvania and a Master of Architecture from the University of Minnesota. His research focuses on theories of practice and drawing in architectural design. In addition to his forthcoming book Drawing Imagining Building: Embodiment in Architectural Drawing Practices, he is a co-editor of Confabulations, Storytelling in Architecture (2017) and The Cultural Role of Architecture (2012). Federica Goffi is an Associate Professor (2007–present) and Co-Chair of the PhD program at the Azrieli School of Architecture and Urbanism at Carleton University in Ottawa, Canada. She holds a PhD from the Virginia Polytechnic Institute and State University. She published book chapters and journal articles on the threefold nature of time-weather-tempo. Her book, Time Matter[s]: Invention and Re-imagination in Built Conservation: The Unfinished Drawing and Building of St. Peter’s in the Vatican, was published by Ashgate in 2013. She holds a Dottore in Architettura from the University of Genoa, Italy. She is a licensed architect in her native country, Italy. Jodi La Coe is an architect teaching at the Washington-Alexandria Architecture Center of Virginia Tech, where she earned a PhD in Architecture and Design Research. Her dissertation examines the exploration of space-time theories in the work of László Moholy-Nagy, informing his experimentation with photography and collage and, in particular, providing the basis for an original interpretation of his Partiturskizze zu einer mechanischen Exzentrik (Score-Sketch for a Mechanical Eccentric, c. 1924). La Coe received a Master of Architecture from McGill University in the History and Theory of Architecture (2000) and a Bachelor of Architecture from Penn State (1994) where she taught in the Stuckeman School of Architecture and Landscape Architecture (2003–14).
