Overview

Explores the connection between ancient druidic worship of a virgin at Chartres and the veneration of the Black Madonna • Examines the Virgin Mary’s origins in the pagan worship of the Mother Goddess • Identifies Mary with the dominant solar goddess of matriarchal societies The great cathedral of Chartres is renowned the world over as a masterpiece of High Gothic architecture and for its remarkable stained glass, considered alchemical glass, and its mystical labyrinth. But the sacred foundations of this sanctuary go back to a time long before Christianity when this site was a clearing where druids worshiped a Virgo Paritura: a virgin about to give birth. This ancient meeting place, where all the druids in Gaul gathered once a year, now houses the magnificent Chartres cathedral dedicated both to the Virgin Mary, Mother of God, and to one of the most venerated Black Madonnas in Europe: Our Lady of the Pillar. Coincidence? Hardly, says Jean Markale, whose exhaustive examination of the site traces Chartres’ roots back to prehistoric times and the appeal of the Black Madonna back to the ancient widespread worship of Mother Goddesses such as Cybele and Isis. Markale contends that the mother and child depicted by the Black Madonna are descended from the image worshipped by the druids of the Virgin forever giving birth. This image is not merely a representation of maternal love--albeit of a spiritual nature. It is a theological notion of great refinement: the Virgin gives birth ceaselessly to a world, a God, and a humanity in perpetual becoming.

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9781594770203

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Reviews

. . . author Jean Markale takes us far back to the underlying roots that flowered into the cathedral we see today. --Robert Simmons, MetaGuide Magazines , October 2010

. . . author Jean Markale takes us far back to the underlying roots that flowered into the cathedral we see today.

. . . a good case is made for the paranormal background of this architectural wonder and the foundations that lie in the mystic rituals of the Celts and the druids. Cathedral of the Black Madonna is a formidable work. . . .provides ample ground for imagination and speculation as to the inner life of our ancestors.

Author Information

Jean Markale (1928-2008), was a poet, philosopher, historian, and storyteller, who spent a lifetime researching pre-Christian and medieval culture and spirituality. He was a former specialist in Celtic studies at the Sorbonne and author of more than 40 books, including Montségur and the Mystery of the Cathars, The Church of Mary Magdalene, The Druids, The Celts, Merlin, and Women of the Celts.

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