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Excerpt from Catenae Graecorum Patrum in Novum Testamentum, Vol. 8: In Epistolas Catholicas Et Apocalypsin Arethas qui et ipse post Andream Caesareae ejus dem in Cappadocia Archiepiscopus fuisse traditur, forte haud diversus est ab Aretha, qui adhuc presby ter Caesareensis, scripsit de translatione Euthymii Patriarchae Opol. A. C. 911 defuncti: neque impro babilis haec mihi videtur C. V. Casimiri Oudini con jectura. Idem certe, cujus sermo de Martyribus Guria, Samona et Abibo legitur t. 3. Lipomanni, et apud Surium 15 Nov. Bjus insigne in Apocalypsin opus avaao'yiy Effl'yfia'ewv e'x 31a[o'pwv a'qfwv 02k ct'g 1371: 'lwa wov, To?) frya'zmpevov Kai Grieg/70107023 fiwoxekmpw, pri mum Greece prodiit ad calcem (ecumenii Veronae 1532, fol. Latine vertit Jo. Hentenius Paris. 1547. 8. Et post Hentenium Maximus Florentinus Monachus Cassinensis Basil. 1554. 8. Et in Bibliothecis Patrum ut Lugdunensi T. Ix. Atque Greece et Latine cum H entenii versione Fred. Morellus recudi curavit ad calcem (ecumenii Paris. 1631 fol. In Graecis sola Veronensi editione usus, neque interpreti emendando adhibita industria, cujus nonnullas hallucinationes castigaverat Jac. Billius in Observationibus Sacris, quemadmodum Graeca ex ms. Bibl. Reg. Paris. Emendatiora dari posse notavit Ric. Simon. Lib. 3. Hist. Criticae N. T. P. 468. Hactenus Fabricius. His vero Commentatoribus in Apocalypsin addend us est (ecumenius Episcopus Triccae in Thessalia, cujus Scholia habentur in Cod. Coisl. 224. E quo prooemium. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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