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OverviewFull Product DetailsAuthor: Claire Reddleman (Research Fellow, Nottingham Trent University)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.350kg ISBN: 9780367354015ISBN 10: 0367354012 Pages: 178 Publication Date: 04 June 2019 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsTable of contents: Introduction - From critical cartography to cartographic abstraction: rethinking the production of cartographic viewing through contemporary artworks Chapter One – Reconfiguring the view from nowhere: collage and complicity in Targets by Joyce Kozloff Chapter Two – The drone’s eye view: networked vision and visibility in works by James Bridle and Trevor Paglen Chapter Three – Remote viewing, cartographic abstraction and the antipodes: three works by Layla Curtis Chapter Four – Signification in the soundscape: Bill Fontana’s River Sounding Chapter Five – Cartographic abstraction: a material modality of thought and experienceReviewsCartographic visions and the Apollo's eye organized, ordered, quantified, and defined the spaces of the modern world. How do we make sense of a contemporary world in which surveillance cameras, drones, and satellites are no longer strange but are our everyday reality? Claire Reddleman's inspired book brings together critical cartographic studies with the work of artists whose creations depend on maps, drones, and related tools. This, the resulting book, generates theoretical tools for grappling with uncertain times. - James Housefield, University of California, Davis Author InformationClaire Reddleman received her PhD in cultural studies from Goldsmiths, University of London. Tab Content 6Author Website:Countries AvailableAll regions |