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OverviewFull Product DetailsAuthor: Michelene WandorPublisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 13.80cm , Height: 1.30cm , Length: 21.60cm Weight: 0.226kg ISBN: 9780415119559ISBN 10: 0415119553 Pages: 236 Publication Date: 26 June 1986 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1 Contexts 2 Cross-dressing, sexual representation and the sexual division of labour in theatre 3 The first phase: 1969–73, 4 The second phase: 1973–7, 5 The third phase: from 1977, 6 The skilled process 7 Finding a voice: women playwrights and theatre 8 Political dynamics: the feminisms 9 Radical plays before 1968: the crisis of virility, the ‘feminine’ and the ‘female’ 10 Men playwrights in the 1970s 11 The fourth phase: women playwrights in the 1970s and early 1980s 12 Conclusions and the future; Appendix: All Het Up in Bradford by Noel GreigReviews`This excellent book ... recognizes that theatre is a barometer of the social climate and shows how the battles that have raged around sexuality throughout this century have been reflected on its stage ... It's a must. Buy it.' - Noel Greig, Gay Times Author InformationMichelene Wandor is a poet, playwright and critic. She was Poetry Editor and a regular theatre reviewer for Time Out magazine (1971–82), and she has written extensively for and about theatre and radio in Britain. Tab Content 6Author Website:Countries AvailableAll regions |