Overview

Carmen and the Staging of Spain explores the Belle �poque fascination with Spanish entertainment that refashioned Bizet's opera and gave rise to an international ""Carmen industry."" Authors Michael Christoforidis and Elizabeth Kertesz challenge the notion of Carmen as an unchanging exotic construct, tracing the ways in which performers and productions responded to evolving fashions for Spanish style from its 1875 premiere to 1915. Focusing on selected realizations of the opera in Paris, London and New York, Christoforidis and Kertesz explore the cycles of influence between the opera and its parodies; adaptations in spoken drama, ballet and film; and the panorama of flamenco, Spanish dance, and musical entertainments. Their findings also uncover Carmen's dynamic interaction with issues of Hispanic identity against the backdrop of Spain's changing international fortunes. The Spanish response to this now most-Spanish of operas is illuminated by its early reception in Madrid and Barcelona, adaptations to local theatrical genres, and impact on Spanish composers of the time. A series of Spanish Carmens, from opera singers Elena Sanz and Maria Gay to the infamous music-hall star La Belle Otero, had a crucial influence on the interpretation of the title role. Their stories provide a fresh context for the book's reappraisal of leading Carmens of the era, including Emma Calv� and Geraldine Farrar.

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9780190883508

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Reviews

The authors themselves are appropriately detailed and inclusive of their scholarship, exploring Carmen's background in the context of different types of literary, theatrical, and musical representations of Spain -- George Hall, Opera A comparison of the exotica of Carmen as a foreign ideal of Spain with the privileged view of Spaniards could be distilled down to ideas of cultural appropriation, but the authors go beyond that and offer much more. Summing up: Recommended -- CHOICE Rigorously researched and illustriously illustrated, this volume turns up all kinds of interesting details about Carmen's immediate afterlife-as an opera and also in transformations into burlesque, ballet and parody, not least in its re-importation into Spain herself. -- Richard Langham Smith, Chevalier de l'ordre des arts et des lettres FRCM FRSA, Research Professor, Royal College of Music An impressively researched exploration of the multilayered early performance history of Carmen, including its iterations in parodies, the music hall, sheet music, and recordings. The authors pay tribute to the intelligence with which successive performers molded the Carmen role to suit local tastes. -- Jo Labanyi, Professor of Spanish, New York University Carmen and the Staging of Spain is the product of exhaustive and careful research. Its documentation is presented in often lengthy footnotes rather than the usual endnotes. ... There are detailed descriptions of performances of the opera and adaptations it inspired and the book is richly illustrated. Carmen and the Staging of Spain is a fascinating read for opera fans and students of cultural history. -- John M. Clum, New York Journal of Books

"""The authors themselves are appropriately detailed and inclusive of their scholarship, exploring Carmen's background in the context of different types of literary, theatrical, and musical representations of Spain�"" -- George Hall, Opera ""A comparison of the exotica of Carmen as a foreign ideal of Spain with the privileged view of Spaniards could be distilled down to ideas of cultural appropriation, but the authors go beyond that and offer much more. � Summing up: Recommended"" -- CHOICE ""Rigorously researched and illustriously illustrated, this volume turns up all kinds of interesting details about Carmen's immediate afterlife-as an opera and also in transformations into burlesque, ballet and parody, not least in its re-importation into Spain herself."" -- Richard Langham Smith, Chevalier de l'ordre des arts et des lettres FRCM FRSA, Research Professor, Royal College of Music ""An impressively researched exploration of the multilayered early performance history of Carmen, including its iterations in parodies, the music hall, sheet music, and recordings. The authors pay tribute to the intelligence with which successive performers molded the Carmen role to suit local tastes."" -- Jo Labanyi, Professor of Spanish, New York University ""Carmen and the Staging of Spain is the product of exhaustive and careful research. Its documentation is presented in often lengthy footnotes rather than the usual endnotes. ... There are detailed descriptions of performances of the opera and adaptations it inspired and the book is richly illustrated. Carmen and the Staging of Spain is a fascinating read for opera fans and students of cultural history."" -- John M. Clum, New York Journal of Books"

Author Information

Michael Christoforidis lectures in musicology at the Melbourne Conservatorium of Music, University of Melbourne. He has published extensively on nineteenth- and twentieth-century Spanish music and dance, and its impact on Western culture, and is the author of Manuel de Falla and Visions of Spanish Music (Routledge, 2017). Elizabeth Kertesz is a research fellow at the Melbourne Conservatorium of Music, University of Melbourne. Having written her PhD on the critical reception of Ethel Smyth's operas, her current research interests include Spanish-themed music and theatrical entertainment, and film music from the Belle �poque into the early twentieth century.

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