Caricature and Realism in the Romantic Novel

Author:   Olivia Ferguson
Publisher:   Cambridge University Press
ISBN:  

9781009274241


Pages:   278
Publication Date:   06 November 2025
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Caricature and Realism in the Romantic Novel


Overview

What was caricature to novelists in the Romantic period? Why does Jane Austen call Mr Dashwood's wife 'a strong caricature of himself'? Why does Mary Shelley describe the body of Frankenstein's creature as 'in proportion', but then 'distorted in its proportions' – and does caricature have anything to do with it? This book answers those questions, shifting our understanding of 'caricature' as a literary-critical term in the decades when 'the English novel' was first defined and canonised as a distinct literary entity. Novels incorporated caricature talk and anti-caricature rhetoric to tell readers what different realisms purported to show them. Recovering the period's concept of caricature, Caricature and Realism in the Romantic Novel sheds light on formal realism's self-reflexivity about the 'caricature' of artifice, exaggeration and imagination. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

Full Product Details

Author:   Olivia Ferguson
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Weight:   0.406kg
ISBN:  

9781009274241


ISBN 10:   1009274244
Pages:   278
Publication Date:   06 November 2025
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Reviews

'Ferguson's most compelling contribution lies in her redefinition of caricature as an organizing principle within realism. Her analyses of Austen, Edgeworth, and Godwin are most vigorous when they reveal how authors balance typological abstraction with individual specificity. … Her central claim - that realism and caricature function as interwoven strategies - is historically grounded and conceptually useful. … Ferguson's readings open avenues for intermedial analysis, tracing connections between fiction, graphic satire, theatrical performance, and the grotesque.' Farid Mohammadi, European Romantic Review


Author Information

Olivia Ferguson is an editorial consultant, writer and independent scholar based in North East Scotland. She has degrees in Literature and Linguistics from McGill University, the University of Victoria, and the University of Edinburgh. She has published research articles in Studies in Romanticism, Persuasions On-Line, Notes and Queries and Gothic Studies, and has a chapter in the forthcoming Edinburgh Companion to Jane Austen and the Arts. Olivia was a research fellow at the Institute of Advanced Studies in the Humanities, University of Edinburgh, in 2018-19, and Lecturer in Romanticism at Birkbeck College, University of London, in 2019-20.

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