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OverviewFull Product DetailsAuthor: Jossianna ArroyoPublisher: Rutgers University Press Imprint: Rutgers University Press Dimensions: Width: 15.60cm , Height: 1.50cm , Length: 23.50cm Weight: 0.286kg ISBN: 9781978819740ISBN 10: 1978819749 Pages: 198 Publication Date: 14 April 2023 Recommended Age: From 18 to 99 years Audience: College/higher education , College/higher education , Professional and scholarly , Tertiary & Higher Education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsJossianna Arroyo offers a magistral deconstruction of 21st-century forms of necropolitics insidiously wielded via Twitter, Youtube, Instagram, Facebook, TikTok, and other digital platforms; television; and literary and cinematic production. With sophisticated straightforwardness, Arroyo compels us to critically look at the too-familiar imagery accompanying the invention and reproduction of Caribbean otherness across centuries and nations. --Odette Casamayor-Cisneros associate professor of Latin American and Caribbean Literatures and Cultures, University of Pennsylv (10/26/2022 12:00:00 AM) Caribes 2.0 offers canny insight into the logics of visibility, performance and politics that blossom in the mediascapes of a globalized Caribe. Refusing easy takes, the book tracks the afterlives of slavery and ongoing anti-Black racism as they morph and reassemble in twenty-first-century Caribbean media. Moving seamlessly between TikTok and Televisa, Santo Domingo and Orlando, Arroyo offers fascinating readings of what 'viral' racial images and outlaw performativity reveal about neoliberal codes for self-making--and their refusal. --Rachel Price Associate Professor of Spanish and Portuguese, Princeton University Jossianna Arroyo offers a magistral deconstruction of 21st-century forms of necropolitics insidiously wielded via Twitter, Youtube, Instagram, Facebook, TikTok, and other digital platforms, television, and literary and cinematic production. With sophisticated straightforwardness, Arroyo compels us to critically look at the too-familiar imagery accompanying the invention and reproduction of Caribbean otherness across centuries and nations. --Odette Casamayor-Cisneros Associate Professor of Latin American and Caribbean Literatures and Cultures, University of Pennsylv (10/26/2022 12:00:00 AM) Author InformationJOSSIANNA ARROYO is a professor in the Department of Spanish and Portuguese and the Department of African and African Diaspora at the University of Texas, Austin. She is author of Travestismos culturales: literatura y etnografía en Cuba y Brasil and Writing Secrecy in Caribbean Freemasonry. Tab Content 6Author Website:Countries AvailableAll regions |