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Most spectacular exhibition of the year? Arguably 'Caravaggio 2025' at the Gallerie Nazionali Barberini Corsini, Rome.--Karen Wilken ""The Wall Street Journal"" [A] parade of marvels.--Anthony Majanlahti ""Hyperallergic"" Caravaggio gave religious painting the intensity of opera, or maybe soap opera. Yet this rare exhibition allows us to see through the artist's biography and grasp his view of life: too brief, too violent, yet freighted too with the promise of life everlasting.--Jason Farago ""The New York Times"" What is so compelling in confronting any picture by Caravaggio is how it never fails to communicate a strong feeling of human drama, urgency, and anxiety, and how it seems to be suspended in a moment of the kind of immediacy that we feel in lived experience.--Phong H. Bui ""The Brooklyn Rail"" [The exhibition] is arguably the most comprehensive survey of the artist's work since the Metropolitan Museum of Art's 1985 blockbuster show 'The Age of Caravaggio, ' which included 40 works by, copied from or attributed to the Lombard artist.--A.J. Goldmann ""The Wall Street Journal"" In Palazzo Barberini's magnificent monograph exhibition 'Caravaggio 2025, ' two dozen paintings tell the deeply moving story of his brief, revolutionary, fast-changing oeuvre; they include rare loans, unprecedentedly uniting groups of pictures dispersed across continents, and works entirely new to Caravaggio shows.--Jackie Wullschläger ""The Financial Times""

[The exhibition] is arguably the most comprehensive survey of the artist's work since the Metropolitan Museum of Art's 1985 blockbuster show 'The Age of Caravaggio, ' which included 40 works by, copied from or attributed to the Lombard artist.--A.J. Goldmann ""The Wall Street Journal"" In Palazzo Barberini's magnificent monograph exhibition 'Caravaggio 2025, ' two dozen paintings tell the deeply moving story of his brief, revolutionary, fast-changing oeuvre; they include rare loans, unprecedentedly uniting groups of pictures dispersed across continents, and works entirely new to Caravaggio shows.--Jackie Wullschläger ""The Financial Times""

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