Canadian Graphic: Picturing Life Narratives

Awards:   Joint winner of AAUP Book, Jacket, and Journal Show (Design Excellence) 2017 Winner of Gabrielle Roy Prize for Literary Criticism 2016
Author:   Candida Rifkind ,  Linda Warley
Publisher:   Wilfrid Laurier University Press
ISBN:  

9781771121798


Pages:   320
Publication Date:   30 May 2016
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Canadian Graphic: Picturing Life Narratives


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Awards

  • Joint winner of AAUP Book, Jacket, and Journal Show (Design Excellence) 2017
  • Winner of Gabrielle Roy Prize for Literary Criticism 2016

Overview

Full Product Details

Author:   Candida Rifkind ,  Linda Warley
Publisher:   Wilfrid Laurier University Press
Imprint:   Wilfrid Laurier University Press
Dimensions:   Width: 17.10cm , Height: 2.50cm , Length: 26.00cm
Weight:   0.575kg
ISBN:  

9781771121798


ISBN 10:   1771121793
Pages:   320
Publication Date:   30 May 2016
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

"Table of Contents for Canadian Graphic: Picturing Life Narratives, edited by Candida Rifkind and Linda Warley Editors' Introduction Candida Rifkind and Linda Warley Part One: Confession and the Relational Self 1. Public Dialogues: Intimacy and Judgment in Canadian Confessional Comics Kevin Ziegler 2. Untangling the Graphic Power of Tangles: A Story about Alzheimer's, My Mother, and Me Kathleen Venema 3. """"Oh Well"""": My New York Diary, Autographics, and the Depiction of Female Sexuality in Comics J. Andrew Deman 4. """"Say 'Shit' Chester"""": Language, Alienation, and the Aesthetic in Chester Brown's I Never Liked You: A Comic-Strip Narrative James C. Hall Part Two: Collective Memory and Visual Biography 5. Personal, Vernacular, Canadian: Seth's Great Northern Brotherhood of Canadian Cartoonists as Life Writing Kathleen Dunley 6. Visual Silence and Graphic Memory: An Interdisciplinary Approach to Two Generals Linda Warley and Alan Filewood 7. Metabiography and Black Visuality in Ho Che Anderson's King Candida Rifkind Part Three: The Child and the Nation 8. Unsettling and Restorying Canadian Indigenous-Settler Histories in David Alexander Robertson's The Life of Helen Betty Osborne and Sugar Falls Doris Wolf 9. Life in Boxes: History, Pedagogy, and Nation-Building in Canadian Biographics for Young Adults Eva C. Karpinski 10. """"Everybody calls me Roch"""": Harvey, The Hockey Sweater, and the Invisible Québécois Child Cheryl Cowdy"

Reviews

An essential resource for anyone interested in Canadian comics, life writing, and political issues. Beautifully produced with a useful introduction and fascinating essays about major and emerging cartoonists in Canada and Quebec, Canadian Graphic puts the study of Canadian autobiographical and biographical comics on the academic map and shows us ways to think about one of the most exciting developments in Canadian cultural expression today. Julie Rak, University of Alberta, author of Boom! Manufacturing Memoir for the Popular Market (WLU Press, 2013)


As Canada is increasingly looked up to as a social and political model to follow, this collection provides up-close, original and challenging insights into the inner life, musings, and internal struggles of a modern, multicultural and substantially inclusive society. ... Canadian cartoonists have actively contributed since the 1940s to shape the transnational comics industry in North America, although their most distinctive legacy arguably lies in the alternative and underground scenes, strongly revitalised since the late 1970s. Candida Rifkind's and Linda Warley's staple anthology of graphic life narratives conspicuously shows that Canada - in more ways than one - is still blazing the trail. --Nick Martinez Journal of Graphic Novels and Comics An essential resource for anyone interested in Canadian comics, life writing, and political issues. Beautifully produced with a useful introduction and fascinating essays about major and emerging cartoonists in Canada and Quebec, Canadian Graphic puts the study of Canadian autobiographical and biographical comics on the academic map and shows us ways to think about one of the most exciting developments in Canadian cultural expression today. --Julie Rak, University of Alberta, author of Boom! Manufacturing Memoir for the Popular Market (WLU Press, 2013) An essential resource for anyone interested in Canadian comics, life writing, and political issues. Beautifully produced with a useful introduction and fascinating essays about major and emerging cartoonists in Canada and Quebec, Canadian Graphic puts the study of Canadian autobiographical and biographical comics on the academic map and shows us ways to think about one of the most exciting developments in Canadian cultural expression today. Julie Rak, University of Alberta, author of Boom! Manufacturing Memoir for the Popular Market (WLU Press, 2013)


As Canada is increasingly looked up to as a social and political model to follow, this collection provides up-close, original and challenging insights into the inner life, musings, and internal struggles of a modern, multicultural and substantially inclusive society. ... Canadian cartoonists have actively contributed since the 1940s to shape the transnational comics industry in North America, although their most distinctive legacy arguably lies in the alternative and underground scenes, strongly revitalised since the late 1970s. Candida Rifkind's and Linda Warley's staple anthology of graphic life narratives conspicuously shows that Canada - in more ways than one - is still blazing the trail.


Author Information

Candida Rifkind is an associate professor in the Department of English, University of Winnipeg. She published Comrades and Critics: Women, Literature, and the Left in 1930s Canada (2009) and has chapters on graphic life narratives in Material Cultures in Canada (WLU Press, 2015), Canadian Literature and Cultural Memory (2014), and the journals Biography, International Journal of Comic Art, and Canadian Review of American Studies. Linda Warley specializes in Canadian life writing, including texts by First Nations and Métis authors. She has a recent chapter on John Gallant and Seth's Bannock, Beans and Black Tea in Canadian Literature and Cultural Memory (2014). She is co-editor, with Marlene Kadar,, Jeanne Perreault, and Susanna Egan of Tracing the Autobiographical (WLU Press, 2005) and, with Jeanne Perreault and Marlene Kadar, of Photographs, Histories, and Meanings (2009).

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