Camera Historica: The Century in Cinema

Author:   Antoine de Baecque ,  Jonathan Magidoff ,  Ninon Vinsonneau
Publisher:   Columbia University Press
ISBN:  

9780231156516


Pages:   424
Publication Date:   06 March 2012
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Camera Historica: The Century in Cinema


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Full Product Details

Author:   Antoine de Baecque ,  Jonathan Magidoff ,  Ninon Vinsonneau
Publisher:   Columbia University Press
Imprint:   Columbia University Press
Dimensions:   Width: 17.80cm , Height: 2.30cm , Length: 22.90cm
Weight:   0.935kg
ISBN:  

9780231156516


ISBN 10:   0231156510
Pages:   424
Publication Date:   06 March 2012
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.
Language:   French

Table of Contents

Prelude: The Tree of History Introduction: The Cinematographic Forms of History 1. Foreclosed Forms: How Images of Mass Death Reemerged in Modern Cinema 2. From Versailles to the Silver Screen: Sacha Guitry, Historian of France 3. ""Me? Uh, Nothing!"" The French New Wave, Politics, and History 4. Peter Watkins, Live from History: The Films, Style, and Method of Cinema's Special Correspondent 5. The Theory of Sparks: A History in Images, According to Jean-Luc Godard 6. Demodern Aesthetics: Filming the End of Communism 7. America Unraveled: Master Fictions in Contemporary Hollywood Cinema Conclusion: All Histories Are Possible Notes Illustration Credits Index

Reviews

Antoine de Baecque is one of our most meticulous and enterprising film historians, and in Camera Historica he finds a new way of looking at the two sides of his interest, film and history, making each a clarifying reflection of the other. As a particular bonus, he's especially good on important filmmakers who emerged during the 60s, such as the Nouvelle Vague and Peter Watkins. -- Jonathan Rosenbaum


De Baecque is one of our most meticulous and enterprising film historians, and in Camera Historica, he finds a new way of looking at the two sides of his interest, film and history, making each a clarifying reflection of the other. As a particular bonus, he's especially good on important filmmakers who emerged during the 1960s, such as the Nouvelle Vague and Peter Watkins. -- Jonathan Rosenbaum, film critic Camera Historica marks a new stage in thinking about the relationship between cinema (as art) and history (as both real and narrative). Going beyond the classic 'histories of cinema,' this book reveals what cinema makes of history, its way of making history visible, and of allowing us to judge it. -- Alain Badiou Thanks to this book I now understand precisely why and how I am gothic. -- Tim Burton


De Baecque is one of our most meticulous and enterprising film historians, and in Camera Historica, he finds a new way of looking at the two sides of his interest, film and history, making each a clarifying reflection of the other. As a particular bonus, he's especially good on important filmmakers who emerged during the 1960s, such as the Nouvelle Vague and Peter Watkins. -- Jonathan Rosenbaum, film critic Camera Historica marks a new stage in thinking about the relationship between cinema (as art) and history (as both real and narrative). Going beyond the classic 'histories of cinema,' this book reveals what cinema makes of history, its way of making history visible, and of allowing us to judge it. -- Alain Badiou Thanks to this book I now understand precisely why and how I am goth. -- Tim Burton Those in search of superb academic writing need look no further. De Baecque renders a beguiling mix of auteurism, rigorous methodology, and historical analysis in an evenhanded, engaging tone. -- Jonathan Robbins Film Comment 6/1/2012 Cinema and history are in lively dialogue here, which creates much more exciting reading...highly recommended. Choice August 2012


Author Information

Antoine de Baecque is a historian and film critic and professor of cinema studies at the University of Paris X Nanterre. His books in English include Truffaut: A Biography; The Body Politic: Corporeal Metaphor in Revolutionary France, 1770-1800; Glory and Terror; and A History of Democracy in Europe. He has served as culture editor for the newspaper Liberation and as editor in chief of Cahiers du cinema. Ninon Vinsonneau teaches American culture and cinema at Ecole Centrale Paris. Jonathan Magidoff teaches history at Sciences Po Paris.

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