|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Viccy Coltman (University of Edinburgh)Publisher: Cambridge University Press Imprint: Cambridge University Press Dimensions: Width: 17.90cm , Height: 2.20cm , Length: 25.30cm Weight: 0.870kg ISBN: 9781108417686ISBN 10: 110841768 Pages: 320 Publication Date: 14 November 2019 Audience: Professional and scholarly , College/higher education , Professional & Vocational , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsIntroduction; Part I. Beyond Scotland: 1. Scots in Europe: 'making a figure' – painted portraiture on the Grand Tour; 2. Scots in London: 'the means of bread with applause' – George Steuart's architectural elevation; 3. Scots in Empire: 'good fishing in muddy waters' – Claud Alexander in Calcutta and Catrine; Part II. Within Scotland: 4. The Prince in Scotland: 'daubed with plaid and crammed with treason' – the visual and material culture of embodied insurrection; 5. The Monarch in the metropolis: a scopic spectacle – George IV's visit to Edinburgh, August 1822; 6. Borders Bard: 'the exactness of the resemblance': Sir Walter Scott and the physiognomy of Romanticism; Conclusion: Scott-land.Reviews'By focusing on material and visual evidence, Professor Coltman brings fresh and original perspectives to the study of Scottish identity . The perceptive arguments within the book are complemented by an impressive examination of relevant original sources. The result is an important study.' Sir Tom Devine, Professor Emeritus, University of Edinburgh 'Viccy Coltman's book explores the multiple negotiations of Scottish identity with Britain, Europe and the Empire through art and material culture with flair, skill and a wide range of reference. Fresh thoughts and insights are everywhere, from Warren Hastings' visit to Ossian's Hall to the commodification of Paul Sandby. Highly recommended.' Murray Pittock, Bradley Professor of English Literature, University of Glasgow 'By focusing on material and visual evidence, Professor Coltman brings fresh and original perspectives to the study of Scottish identity . The perceptive arguments within the book are complemented by an impressive examination of relevant original sources. The result is an important study.' Sir Tom Devine, Professor Emeritus, University of Edinburgh 'Viccy Coltman's book explores the multiple negotiations of Scottish identity with Britain, Europe and the Empire through art and material culture with flair, skill and a wide range of reference. Fresh thoughts and insights are everywhere, from Warren Hastings' visit to Ossian's Hall to the commodification of Paul Sandby. Highly recommended.' Murray Pittock, Bradley Professor of English Literature, University of Glasgow Author InformationViccy Coltman is a professor of history of art at the University of Edinburgh, where she is an authority on eighteenth-century visual and material culture in Britain. The author of four books including two monographs, an edited and co-edited volume, Coltman has been awarded fellowships by the Whitney Humanities Center at Yale, the Huntington Library, the National Gallery of Washington DC and the British School at Rome, amongst others. In 2006 she was awarded a Philip Leverhulme Prize in recognition of her outstanding contribution to History of Art. Coltman is currently the academic lead on a MOOC, a Massive Open Online Course on 'Bonnie Prince Charlie and the Jacobites', in collaboration with the National Museums Scotland. Tab Content 6Author Website:Countries AvailableAll regions |