Building the Canon through the Classics: Imitation and Variation in Renaissance Italy (1350-1580)

Author:   Eloisa Morra
Publisher:   Brill
Volume:   15
ISBN:  

9789004398023


Pages:   225
Publication Date:   20 June 2019
Format:   Hardback
Availability:   Available To Order   Availability explained
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Building the Canon through the Classics: Imitation and Variation in Renaissance Italy (1350-1580)


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Author:   Eloisa Morra
Publisher:   Brill
Imprint:   Brill
Volume:   15
Weight:   0.512kg
ISBN:  

9789004398023


ISBN 10:   9004398023
Pages:   225
Publication Date:   20 June 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

1 Introduction  Eloisa Morra 2 Boccaccio as Homer: A Recently Discovered Self-portrait and the ‘modern’ Canon  Maddalena Signorini 3 In the Center of the Kaleidoscope: Ovidian Poetic Image and Boccaccio’s Self-Representation in De Mulieribus Claris  Talita Janine Juliani 4 The Place of the Father: The Reception of Homer in the Renaissance Canon  Valentina Prosperi 5 Politian: The Philologer as Artist   Jaspreet Boparai 6 Humanistic Biographies of Horace and His Inclusion in the Fifteenth-century Literary Canon  Giacomo Comiati 7 Editing Vernacular Classics in the Early Sixteenth Century: Ancient Models and Modern Solutions  Carlo Caruso 8 Building the Canon in 1530s Rome: Colocci’s epigrammatari as a Test Case  Nadia Cannata 9 The Literary Canon and the Visual Arts: From the Three Crowns to Ariosto and Tasso  Federica Caneparo 10 ‘Re-figuring’ Lucian of Samosata: Authorship and Literary Canon in Early Modern Italy  Irene Fantappiè Index

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Author Information

Eloisa Morra, Ph.D. (Harvard University, 2017) is Assistant Professor of Italian Studies at the University of Toronto and the author of Un allegro fischiettare nelle tenebre. Ritratto di Toti Scialoja (Quodlibet Studio, 2014: Special mention, Edinburgh Gadda Prize 2015). In her research, she explores interdisciplinary issues at the crossroads of textual criticism and visual studies, classical reception, the Renaissance and its reception in the twentieth century.

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