Building Blocks: Repetition and Continuity in the Music of Stravinsky

Author:   Gretchen Horlacher (Associate Professor of Music, Associate Professor of Music, Indiana University)
Publisher:   Oxford University Press Inc
ISBN:  

9780195370867


Pages:   232
Publication Date:   26 May 2011
Format:   Hardback
Availability:   To order   Availability explained
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Building Blocks: Repetition and Continuity in the Music of Stravinsky


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Author:   Gretchen Horlacher (Associate Professor of Music, Associate Professor of Music, Indiana University)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 23.90cm , Height: 2.30cm , Length: 16.30cm
Weight:   0.496kg
ISBN:  

9780195370867


ISBN 10:   0195370864
Pages:   232
Publication Date:   26 May 2011
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Chapter One. The First Movement of Three Pieces for String Quartet: A Shaking and Cracking of Dancing Bones Chapter Two. Connecting the Blocks Chapter Three. Stravinsky's Stutter Chapter Four. Multiple Melodies: Stravinsky's Superimpositions Chapter Five. A Sounding Together: Ordered Succession Across the Symphonies of Wind Instruments

Reviews

<br> [An] illuminating study...A quietly persuasive, stimulating, and, above all, constructive <br>contribution to a field of inquiry that has seen more than its share of squawking. --Richard Taruskin, Journal of Music Theory<p><br>


A significant contribution to our appreciation of Stravinsky's music, Gretchen Horlacher's study could be read with profit by musicians, students, and scholars interested in Stravinsky's music, in twentieth-century music, and music analysis in general. * Katerina Levidou, Music and Letters *


[An] illuminating study...A quietly persuasive, stimulating, and, above all, constructive contribution to a field of inquiry that has seen more than its share of squawking. --Richard Taruskin, Journal of Music Theory


Author Information

Gretchen Horlacher holds a Ph.D. in music theory from Yale University and is currently Associate Professor of Music at the Jacobs School of Music at Indiana University-Bloomington. She has published on the music of Stravinsky, Bartók, and Steve Reich, and on issues of rhythm and meter.

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