|
|
|||
|
||||
OverviewExamines mass production in antiquity Highly decorated mirrors are widely sought by museums with collections of Chinese art and are the most actively exchanged items in the art market of ancient Chinese bronzes. Featuring intricate designs that draw from those observable on woven bamboo, textiles, jade, and lacquered and painted objects of their time, these mirrors display intricate artistry. Motifs such as dragons, birds, and monsters interplay with layered decorative patterns. Most of what we know of these mirrors comes from their discovery in recent decades in tombs dating to early China. Despite their importance, this is the first book-length, scholarly study of Chinese bronze mirrors. Through research based on close examination and comparison of extant examples, Kin Sum Li offers a detailed analysis of how mirrors were designed and produced during the period from 500 to 200 BCE. He documents evidence of an emphasis on efficiency and division of labor in the production process that permitted artisans to apply expertise accumulated from long-term training and professional practice. Improvements in the production process eventually changed how mirror models and molds were prepared, as compared to earlier freehand carving. Collectively, mirror producers laid the foundations of a large commercial exchange network. Bronze Mirrors in Ancient China will be of interest to art historians, archaeologists, museum curators, art dealers, mirror collectors, and auction houses. Full Product DetailsAuthor: Kin Sum LiPublisher: University of Washington Press Imprint: University of Washington Press Weight: 1.021kg ISBN: 9780295752907ISBN 10: 0295752904 Pages: 272 Publication Date: 22 April 2025 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews""Considerable creativity is involved in devising new ways to achieve artistic ends. This monograph puts these artistic processes under the microscope, revealing how artisans, in negotiating various unpredictable factors during the design process, discovered new methods of production and ultimately accelerated innovation in the Eastern Zhou dynasty (ca. 770-256 BCE), thereby creating a stunning diversity of mirror designs."" -- ""CAA Reviews"" Author InformationKin Sum (Sammy) Li is associate professor of history at Hong Kong Baptist University. Tab Content 6Author Website:Countries AvailableAll regions |
||||