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Full Product Details

Author:   Dr Stephen O'Neill (Maynooth University, Ireland)
Publisher:   Bloomsbury Publishing PLC
Imprint:   The Arden Shakespeare
Weight:   0.331kg
ISBN:  

9781350118829

ISBN 10:   1350118826
Pages:   336
Publication Date:   27 June 2019
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

"Acknowledgements List of Illustrations Note on Procedures and Abbreviations Note on Contributors Introduction: ‘“Sow’d and Scattered”: Shakespeare’s Media Ecologies’ Stephen O’Neill, Maynooth University, Ireland Part I: The Politics of Broadcast(ing) Shakespeare 1. ‘Broadcasting Censorship: Hollywood’s Production Code and A Midsummer Night’s Dream’ Darlena Ciraulo, University of Central Missouri, USA 2. ‘Broadcasting the Bard: Orson Welles, Shakespeare, and War’ Robert Sawyer, East Tennessee State University, USA 3. ‘This Distracted Globe This Brave New World: Learning from the MIT Global Shakespeares’ Twenty-First Century' Diana Henderson, MIT Boston, USA 4. ‘“Once more to the breach!”: Shakespeare, Wikipedia’s Gender Gap, and the Online, Digital Elite’ David C. Moberly, University of Minnesota, USA Part II: Genre and Audience 5. ‘Emo Hamlet: Locating Shakespearean Affect in Social Media’ Christy Desmet, University of Georgia, USA 6. ‘“It Is Worth the Listening To”: The Phonograph and the Teaching of Shakespeare in the Early Twentieth-Century America’ Joseph Haughey, Northwest Missouri State University, USA 7. ‘Juliet, Tumbld: Fan Renovations of Shakespeare’s Juliet on Tumblr™’, Kirk Hendershott-Kraetzer, Olivet College, USA 8. ‘“Certain o'er incertainty”: Troilus and Cressida, Ambiguity and the Lewis episode “Generation of Vipers”’, Sarah Olive, University of York, UK Part III: Broadcast the Self: Celebrity and Identity 9. ‘Vlogging the Bard: Serialization, Social Media, Shakespeare’ Douglas Lanier, University of New Hampshire, USA 10. ‘Tweeting Television / Broadcasting the Bard: @HollowCrownFans and Digital Shakespeares’, Romano Mullin, Queen's University Belfast, UK 11. ‘“Somewhere in the World … Someone misquoted Shakespeare. I can sense it"": Tom Hiddleston performing the Shakespearean online' Anna Blackwell, DeMontfort University, UK Afterword: Courtney Lehmann, University of the Pacific, USA Notes Index"

Reviews

The result is a wide-ranging and incisive study… Broadcast Your Shakespeare is a valuable guide to Shakespeare as he has been repeatedly remade. * Studies in English Literature 1500 - 1900 * The book is an expansive, wide-ranging assessment of what it means to broadcast Shakespeare…Because of its carefully balanced attention to both platform and user, Broadcast Your Shakespeare manages successfully to navigate a wide range of adaptive processes, offering more than a selection of interesting case studies. As such, it points the way to valuable new directions in the field of appropriation studies. * Shakespeare Quarterly *

The book is an expansive, wide-ranging assessment of what it means to broadcast Shakespeare...Because of its carefully balanced attention to both platform and user, Broadcast Your Shakespeare manages successfully to navigate a wide range of adaptive processes, offering more than a selection of interesting case studies. As such, it points the way to valuable new directions in the field of appropriation studies. * Shakespeare Quarterly *

The result is a wide-ranging and incisive study... Broadcast Your Shakespeare is a valuable guide to Shakespeare as he has been repeatedly remade. * Studies in English Literature 1500 - 1900 * The book is an expansive, wide-ranging assessment of what it means to broadcast Shakespeare...Because of its carefully balanced attention to both platform and user, Broadcast Your Shakespeare manages successfully to navigate a wide range of adaptive processes, offering more than a selection of interesting case studies. As such, it points the way to valuable new directions in the field of appropriation studies. * Shakespeare Quarterly *

Author Information

Stephen O’Neill is a Lecturer in the Department of English, National University of Ireland Maynooth,Ireland. His most recent book is Shakespeare and YouTube: New Media Forms of the Bard (Bloomsbury, 2014).

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