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OverviewIn this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism. Full Product DetailsAuthor: Bridget Orr (Vanderbilt University, Tennessee)Publisher: Cambridge University Press Imprint: Cambridge University Press Edition: New edition Dimensions: Width: 15.20cm , Height: 1.60cm , Length: 22.90cm Weight: 0.400kg ISBN: 9781108731188ISBN 10: 110873118 Pages: 295 Publication Date: 06 January 2022 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsReviews'Bridget Orr's British Enlightenment Theatre opens up an exciting research field full of radically important questions about British religious and social attitudes, their relationship to regional diversity, and the multiple ways these issues were debated on the eighteenth-century stage.' David Worrall, Restoration and Eighteenth-Century Theatre Research Author InformationBridget Orr is an Associate Professor in the Department of English at Vanderbilt University, Tennessee. She is the author of Empire on the English Stage, 1660–1714 (Cambridge, 2001) and co-author of Voyages and Beaches: Pacific Encounters, 1769–1840 (1999). She is editor of a special Pacific issue of The Eighteenth Century: Theory and Interpretation and has published many essays on Restoration and eighteenth-century drama and New Zealand, Maori and Pacific writing and film. Among other awards she has won Fellowships from the National Endowment for the Humanities and the American Council of Learned Societies. Tab Content 6Author Website:Countries AvailableAll regions |