Bring That Beat Back Lib/E: How Sampling Built Hip-Hop

Author:   David Sadzin ,  Nate Patrin
Publisher:   Tantor Audio
Edition:   Unabridged edition
ISBN:  

9798200231928


Publication Date:   21 July 2020
Format:   Audio  Audio Format
Availability:   Available To Order   Availability explained
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Bring That Beat Back Lib/E: How Sampling Built Hip-Hop


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Overview

Sampling--incorporating found sound and manipulating it into another form entirely--has done more than any musical movement in the twentieth century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through forty years of musical innovation and reinvention. Nate Patrin tells the story of how sampling built hip-hop through the lens of four pivotal artists: Grandmaster Flash as the popular face of the music's DJ-born beginnings; Prince Paul as an early champion of sampling's potential to elaborate on and rewrite music history; Dr. Dre as the superstar who personified the rise of a stylistically distinct regional sound while blurring the lines between sampling and composition; and Madlib as the underground experimentalist and record-collector antiquarian who constantly broke the rules of what the mainstream expected from hip-hop.

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Author:   David Sadzin ,  Nate Patrin
Publisher:   Tantor Audio
Imprint:   Tantor Audio
Edition:   Unabridged edition
ISBN:  

9798200231928


Publication Date:   21 July 2020
Audience:   General/trade ,  General
Format:   Audio
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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When he was seven, David Sadzin's first grade teacher gave him a paragraph to read out loud. She interrupted him halfway to proclaim him the ""Ringmaster"" in his class's musical extravaganza about the circus. He's been using his voice to get out of trouble ever since. After a few intense years on New York's stages, performing traditional and experimental theater, improv, and sketch comedy, he's now settled comfortably in front of the mic in his home studio in Brooklyn. Nate Patrin is a longtime music critic whose writing has appeared in dozens of publications including Pitchfork, Stereogum, Spin, Bandcamp Daily, Red Bull Music Academy, and his hometown Twin Cities' alt-weekly City Pages.

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