Brian De Palma's Split-Screen: A Life in Film

Author:   Douglas Keesey
Publisher:   University Press of Mississippi
ISBN:  

9781496809728


Pages:   364
Publication Date:   30 January 2017
Format:   Paperback
Availability:   In Print   Availability explained
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Brian De Palma's Split-Screen: A Life in Film


Overview

Over the last five decades, the films of director Brian De Palma (b. 1940) have been among the biggest successes (The Untouchables, Mission: Impossible) and the most high-profile failures (The Bonfire of the Vanities) in Hollywood history. De Palma helped launch the careers of such prominent actors as Robert De Niro, John Travolta, and Sissy Spacek (who was nominated for an Academy Award as Best Actress in Carrie). Indeed Quentin Tarantino named Blow Out as one of his top three favorite films, praising De Palma as the best living American director. Picketed by feminists protesting its depictions of violence against women, Dressed to Kill helped to create the erotic thriller genre. Scarface, with its over-the-top performance by Al Pacino, remains a cult favorite. In the twenty-first century, De Palma has continued to experiment, incorporating elements from videogames (Femme Fatale), tabloid journalism (The Black Dahlia), YouTube, and Skype (Redacted and Passion) into his latest works. What makes De Palma such a maverick even when he is making Hollywood genre films? Why do his movies often feature megalomaniacs and failed heroes? Is he merely a misogynist and an imitator of Alfred Hitchcock? To answer these questions, author Douglas Keesey takes a biographical approach to De Palma's cinema, showing how De Palma reworks events from his own life into his films. Written in an accessible style, and including a chapter on every one of his films to date, this book is for anyone who wants to know more about De Palma's controversial films or who wants to better understand the man who made them.

Full Product Details

Author:   Douglas Keesey
Publisher:   University Press of Mississippi
Imprint:   University Press of Mississippi
Dimensions:   Width: 15.50cm , Height: 2.00cm , Length: 23.30cm
Weight:   0.580kg
ISBN:  

9781496809728


ISBN 10:   1496809726
Pages:   364
Publication Date:   30 January 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Reviews

By cunningly projecting De Palma's life side-by-side with his films, Douglas Keesey has brought to light the hidden, deep desires of a film director previously categorized as a purely genre filmmaker. Thanks to Keesey, I can now rewatch De Palma's films with new eyes. - Paul Duncan, film historian. Brian De Palma's Split-Screen is an insightful and highly scholarly book. It is the best book so far on the life and works of De Palma. It is a very well researched book and provides deep analysis of De Palma's works. It should be on the university curriculum for film studies. It is a must-read for everyone interested in the life and works of Brian De Palma and cinema in general. - The Washington Book Review


By cunningly projecting De Palma's life side-by-side with his films, Douglas Keesey has brought to light the hidden, deep desires of a film director previously categorized as a purely genre filmmaker. Thanks to Keesey, I can now rewatch De Palma's films with new eyes. - Paul Duncan, film historian. Brian De Palma's Split-Screen is an insightful and highly scholarly book. It is the best book so far on the life and works of De Palma. It is a very well researched book and provides deep analysis of De Palma's works. It should be on the university curriculum for film studies. It is a must-read for everyone interested in the life and works of Brian De Palma and cinema in general. - The Washington Book Review


Author Information

Douglas Keesey, Cayucos, California, USA has published books on Catherine Breillat, Don DeLillo, Clint Eastwood, Peter Greenaway, the Marx Brothers, Jack Nicholson, and Paul Verhoeven as well as erotic cinema and film noir. He teaches film at California Polytechnic State University.

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