Overview

Can theatre change the world? If so, how can it productively connect with social reality and foster spectatorial critique and engagement? This open access book examines the forms and functions of political drama in what has been described as a post-Marxist, post-ideological, even post-political moment. It argues that Bertolt Brecht’s concept of dialectical theatre represents a privileged theoretical and dramaturgical method on the contemporary British stage as well as a valuable lens for understanding 21st-century theatre in Britain. Establishing a creative philosophical dialogue between Brecht, Walter Benjamin, Theodor W. Adorno and Jacques Rancière, the study analyses seminal works by five influential contemporary playwrights, ranging from Mark Ravenhill’s ‘in-yer-face’ plays to Caryl Churchill’s 21st century theatrical experiments. Engaging critically with Brecht’s theatrical legacy, these plays create a politically progressive form of drama which emphasises notions of negativity, ambivalence and conflict as a prerequisite for spectatorial engagement and emancipation. This book adopts an interdisciplinary and intercultural theoretical approach, reuniting English and German perspectives and innovatively weaving together a variety of theoretical strands to offer fresh insights on Brecht’s legacy, on British theatre history and on the selected plays. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

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9781350201842

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Reviews

Dramaturgically informed and philosophically astute, Hartl makes a compelling argument for Brecht’s contribution to today’s theatre. Focused on British playtexts, the book clarifies the centrality of Brecht’s materialist dialectics in sharp-eyed readings of performances responding to neo-liberal globalization and post-postmodern relativism. Updating Brecht’s strategies of spectatorship, negation and contradiction, this book is required reading for anyone concerned about new forms of dialectical realism on the stage. * Marc Silberman, University of Wisconsin-Madison, USA * An eloquent, lucidly argued investigation of Brecht’s legacy in post-1990s British theatre, this book probes “the potential of Brechtian-inspired theatre to spur resistance and ideological critique in a decidedly anti-dialectical age.” Anja Hartl incisively clarifies dialectics as a worldview rooted in openness rather than dogma, illuminating the ways in which Brechtian concepts find renewed urgency and fresh forms in the work of an exciting and important cluster of contemporary playwrights. * Clare Wallace, Charles University, Czech Republic *

Dramaturgically informed and philosophically astute, Hartl makes a compelling argument for Brecht's contribution to today's theatre. Focused on British playtexts, the book clarifies the centrality of Brecht's materialist dialectics in sharp-eyed readings of performances responding to neo-liberal globalization and post-postmodern relativism. Updating Brecht's strategies of spectatorship, negation and contradiction, this book is required reading for anyone concerned about new forms of dialectical realism on the stage. * Marc Silberman, University of Wisconsin-Madison, USA * An eloquent, lucidly argued investigation of Brecht's legacy in post-1990s British theatre, this book probes the potential of Brechtian-inspired theatre to spur resistance and ideological critique in a decidedly anti-dialectical age. Anja Hartl incisively clarifies dialectics as a worldview rooted in openness rather than dogma, illuminating the ways in which Brechtian concepts find renewed urgency and fresh forms in the work of an exciting and important cluster of contemporary playwrights. * Clare Wallace, Charles University, Czech Republic *

Dramaturgically informed and philosophically astute, Hartl makes a compelling argument for Brecht's contribution to today's theatre. Focused on British playtexts, the book clarifies the centrality of Brecht's materialist dialectics in sharp-eyed readings of performances responding to neo-liberal globalization and post-postmodern relativism. Updating Brecht's strategies of spectatorship, negation and contradiction, this book is required reading for anyone concerned about new forms of dialectical realism on the stage. --Marc Silberman, University of Wisconsin-Madison, USA An eloquent, lucidly argued investigation of Brecht's legacy in post-1990s British theatre, this book probes the potential of Brechtian-inspired theatre to spur resistance and ideological critique in a decidedly anti-dialectical age. Anja Hartl incisively clarifies dialectics as a worldview rooted in openness rather than dogma, illuminating the ways in which Brechtian concepts find renewed urgency and fresh forms in the work of an exciting and important cluster of contemporary playwrights. --Clare Wallace, Charles University, Czech Republic

Author Information

Anja Hartl is Assistant Professor at the Department of Literature, Art and Media Studies at the University of Konstanz, Germany. She has published essays on contemporary British theatre, Brecht and Shakespearean adaptation. Her research focuses on political theatre, adaptation studies, Shakespeare, and Victorian fiction.

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