Breaking into TV Writing: How to Get Your First Job, Build Your Network, and Claw Your Way Into the Writers' Room

Author:   Anton Schettini
Publisher:   Turner Publishing Company
ISBN:  

9781684429875


Pages:   256
Publication Date:   17 October 2024
Format:   Paperback
Availability:   Available To Order   Availability explained
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Breaking into TV Writing: How to Get Your First Job, Build Your Network, and Claw Your Way Into the Writers' Room


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Full Product Details

Author:   Anton Schettini
Publisher:   Turner Publishing Company
Imprint:   Turner Publishing Company
Dimensions:   Width: 13.90cm , Height: 1.20cm , Length: 21.50cm
ISBN:  

9781684429875


ISBN 10:   1684429870
Pages:   256
Publication Date:   17 October 2024
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Reviews

“This is the best thing I’ve read about how to become a television writer. Not ‘how to write a television script,’ but ‘how to become a television writer’! Anton has lucidly, comprehensively, and entertainingly described the real-world process of getting in the door and getting a job writing for TV. If this is your dream, I can’t think of a more valuable book to help you achieve it.” —David Kohan, Executive Producer/Showrunner, Will & Grace “In the past, when people asked me for advice on breaking into TV writing, I’d say ‘Good luck, and please don’t ask me to read your spec script!’ Now I have a better answer: Read Anton Schettini’s book. It’s filled with specific, practical, up-to-date information—steps you can take that will work, because they worked for Anton (I know, because I hired him as a writers' assistant and watched him ascend through the ranks.) Buy it now—and don’t ask him to read your spec script.” —Bob Daily, Executive Producer, The Wonder Years, Superior Donuts, The Odd Couple, Desperate Housewives; Co-Executive Producer, Frasier “Many are called to write for television, but few are chosen. Of the thousands of aspiring writers I’ve encountered in over forty years of teaching, Anton Schettini is among that happy few who actually managed to become one. Now he’s written a book that will help others who want to do the same. The advice he gives is specific, candid, and based on up-to-the-minute experience in the ever-mutating profession. It’s not only the most pragmatic guide of its kind for those who want to write TV, but it’s also an insightfully fun book for those who just like to watch it.” —Robert Thompson, Director, Bleier Center for Television and Popular Culture, Syracuse University ""This entertaining, informative, and engaging book is a must if you're looking to break into TV writing, but it's also an incisive and funny look at how TV gets made even if you're not. Buy it for your friends, and keep it from your enemies at all costs!"" —Nathaniel Stein, Writer, Angie Tribeca, Curb Your Enthusiasm; Author of The Threat ""This book—written from the perspective of someone who not only survived the climb up the TV ladder, but thrived—should be required reading in every screenwriting program on every campus in America. Anton Schettini has produced a book that is informative, funny, and full of valuable inside info. Most important, it is bracingly clear-eyed—pulling precisely zero punches about the struggles that await anyone hoping to launch a career in this business. Breaking Into TV Writing is the essential read for anyone with dreams of writing for television. How I wish it had existed when I was starting out!"" —Michael Price, Creator/Showrunner, F Is for Family; Co-Executive Producer, The Simpsons ""So many hurdles! You might be the most talented of writers and have great scripts to peddle, but if you can’t even get producers and executives to read your work, your career will go nowhere. Anton Schettini discovered that first-hand when starting out, but then he developed a strategy for overcoming those hurdles and became a success. Many books focus on writing craft and technique—this book explains steps you should take to actually become a working TV writer."" —Evan Smith, Author, Writing Television Sitcoms


"“This is the best thing I’ve read about how to become a television writer. Not ‘how to write a television script,’ but ‘how to become a television writer’! Anton has lucidly, comprehensively, and entertainingly described the real-world process of getting in the door and getting a job writing for TV. If this is your dream, I can’t think of a more valuable book to help you achieve it.” —David Kohan, Executive Producer/Creator of Will & Grace, $#*! My Dad Says, Boston Common, and Good Morning, Miami “In the past, when people asked me for advice on breaking into TV writing, I’d say ‘Good luck, and please don’t ask me to read your spec script!’ Now I have a better answer: Read Anton Schettini’s book. It’s filled with specific, practical, up-to-date information—steps you can take that will work, because they worked for Anton (I know, because I hired him as a writers' assistant and watched him ascend through the ranks.) Buy it now—and don’t ask him to read your spec script.” —Bob Daily, Executive Producer of The Wonder Years, Superior Donuts, The Odd Couple, Desperate Housewives, and Frasier “Many are called to write for television, but few are chosen. Of the thousands of aspiring writers I’ve encountered in over forty years of teaching, Anton Schettini is among that happy few who actually managed to become one. Now he’s written a book that will help others who want to do the same. The advice he gives is specific, candid, and based on up-to-the-minute experience in the ever-mutating profession. It’s not only the most pragmatic guide of its kind for those who want to write TV, but it’s also an insightfully fun book for those who just like to watch it.” —Robert Thompson, Director, Bleier Center for Television and Popular Culture, Syracuse University ""This entertaining, informative, and engaging book is a must if you're looking to break into TV writing, but it's also an incisive and funny look at how TV gets made even if you're not. Buy it for your friends, and keep it from your enemies at all costs!"" —Nathaniel Stein, writer for Angie Tribeca and Curb Your Enthusiasm, author of The Threat ""This book—written from the perspective of someone who not only survived the climb up the TV ladder, but thrived—should be required reading in every screenwriting program on every campus in America. Anton Schettini has produced a book that is informative, funny, and full of valuable inside info. Most important, it is bracingly clear-eyed—pulling precisely zero punches about the struggles that await anyone hoping to launch a career in this business. Breaking Into TV Writing is the essential read for anyone with dreams of writing for television. How I wish it had existed when I was starting out!"" —Michael Price, Creator/Showrunner, F Is for Family; Co-Executive Producer, The Simpsons ""So many hurdles! You might be the most talented of writers and have great scripts to peddle, but if you can’t even get producers and executives to read your work, your career will go nowhere. Anton Schettini discovered that first-hand when starting out, but then he developed a strategy for overcoming those hurdles and became a success. Many books focus on writing craft and technique—this book explains steps you should take to actually become a working TV writer."" —Evan Smith, Author, Writing Television Sitcoms"


"“This is the best thing I’ve read about how to become a television writer. Not ‘how to write a television script,’ but ‘how to become a television writer’! Anton has lucidly, comprehensively, and entertainingly described the real-world process of getting in the door and getting a job writing for TV. If this is your dream, I can’t think of a more valuable book to help you achieve it.” —David Kohan, Executive Producer/Showrunner, Will & Grace “In the past, when people asked me for advice on breaking into TV writing, I’d say ‘Good luck, and please don’t ask me to read your spec script!’ Now I have a better answer: Read Anton Schettini’s book. It’s filled with specific, practical, up-to-date information—steps you can take that will work, because they worked for Anton (I know, because I hired him as a writers' assistant and watched him ascend through the ranks.) Buy it now—and don’t ask him to read your spec script.” —Bob Daily, Executive Producer, The Wonder Years, Superior Donuts, The Odd Couple, Desperate Housewives; Co-Executive Producer, Frasier “Many are called to write for television, but few are chosen. Of the thousands of aspiring writers I’ve encountered in over forty years of teaching, Anton Schettini is among that happy few who actually managed to become one. Now he’s written a book that will help others who want to do the same. The advice he gives is specific, candid, and based on up-to-the-minute experience in the ever-mutating profession. It’s not only the most pragmatic guide of its kind for those who want to write TV, but it’s also an insightfully fun book for those who just like to watch it.” —Robert Thompson, Director, Bleier Center for Television and Popular Culture, Syracuse University ""This entertaining, informative, and engaging book is a must if you're looking to break into TV writing, but it's also an incisive and funny look at how TV gets made even if you're not. Buy it for your friends, and keep it from your enemies at all costs!"" —Nathaniel Stein, Writer, Angie Tribeca, Curb Your Enthusiasm; Author of The Threat ""This book—written from the perspective of someone who not only survived the climb up the TV ladder, but thrived—should be required reading in every screenwriting program on every campus in America. Anton Schettini has produced a book that is informative, funny, and full of valuable inside info. Most important, it is bracingly clear-eyed—pulling precisely zero punches about the struggles that await anyone hoping to launch a career in this business. Breaking Into TV Writing is the essential read for anyone with dreams of writing for television. How I wish it had existed when I was starting out!"" —Michael Price, Creator/Showrunner, F Is for Family; Co-Executive Producer, The Simpsons ""So many hurdles! You might be the most talented of writers and have great scripts to peddle, but if you can’t even get producers and executives to read your work, your career will go nowhere. Anton Schettini discovered that first-hand when starting out, but then he developed a strategy for overcoming those hurdles and became a success. Many books focus on writing craft and technique—this book explains steps you should take to actually become a working TV writer."" —Evan Smith, Author, Writing Television Sitcoms"


“This is the best thing I’ve read about how to become a television writer. Not ‘how to write a television script,’ but ‘how to become a television writer’! Anton has lucidly and comprehensively and entertainingly described the real-world process of getting in the door and getting a job writing for TV. If this is your dream, I can’t think of a more valuable book to help you achieve it.” —David Kohan, executive producer/creator of Will & Grace, $#*! My Dad Says, Boston Common, and Good Morning, Miami “In the past, when people asked me for advice on breaking into TV writing, I’d say ‘Good luck, and please don’t ask me to read your spec script!’ Now I have a better answer: Read Anton Schettini’s book. It’s filled with specific, practical, up-to-date information—steps you can take that will work, because they worked for Anton (I know, because I hired him as a writer’s assistant and watched him ascend through the ranks.) Buy it now—and don’t ask him to read your spec script.” —Bob Daily, executive producer of The Wonder Years, Superior Donuts, The Odd Couple, Desperate Housewives, and Frasier


“This is the best thing I’ve read about how to become a television writer. Not ‘how to write a television script,’ but ‘how to become a television writer’! Anton has lucidly, comprehensively, and entertainingly described the real-world process of getting in the door and getting a job writing for TV. If this is your dream, I can’t think of a more valuable book to help you achieve it.” —David Kohan, Executive Producer/Creator of Will & Grace, $#*! My Dad Says, Boston Common, and Good Morning, Miami “In the past, when people asked me for advice on breaking into TV writing, I’d say ‘Good luck, and please don’t ask me to read your spec script!’ Now I have a better answer: Read Anton Schettini’s book. It’s filled with specific, practical, up-to-date information—steps you can take that will work, because they worked for Anton (I know, because I hired him as a writers' assistant and watched him ascend through the ranks.) Buy it now—and don’t ask him to read your spec script.” —Bob Daily, Executive Producer of The Wonder Years, Superior Donuts, The Odd Couple, Desperate Housewives, and Frasier “Many are called to write for television, but few are chosen. Of the thousands of aspiring writers I’ve encountered in over forty years of teaching, Anton Schettini is among that happy few who actually managed to become one. Now he’s written a book that will help others who want to do the same. The advice he gives is specific, candid, and based on up-to-the-minute experience in the ever-mutating profession. It’s not only the most pragmatic guide of its kind for those who want to write TV, but it’s also an insightfully fun book for those who just like to watch it.” —Robert Thompson, Director, Bleier Center for Television and Popular Culture, Syracuse University


Author Information

Anton Schettini is a screenwriter, producer, and author. He has worked in 14 different TV writers' rooms, which has included writing scripts for primetime TV comedies on CBS and writing/producing a series on AMC Networks. A native New Yorker, Anton betrayed his East Coast roots and moved to Los Angeles to pursue TV writing, slowly and steadily rising up in the industry. This provided him with a deep knowledge of the various paths, obstacles, drudgery, and opportunity that together make up a TV writing career. He hopes to share this knowledge with the next wave of TV writers.

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