Overview

Fragmented and chipped artefacts have usually been associated with the idea of refuse, discard, abandonment, decay, pillaging or reshuffling, as opposed to objects preserved in their entirety which have been imagined as synonymous with intact, original, complete, functional or usable things. In his volume Fragmentation in Archaeology, John Chapman drew attention to the need to reconsider the broken artefacts as resulting from a deliberate process of physical fragmentation. Eventually, the breaking of an object served (and still nowadays serves) to establish material, ritual and social relationships. Breaking and damaging is part of a negotiation process: one or more individuals who wanted to mark their relationship or mutual transaction – of any type, from affective to ritual to economic; and with any type of entity, from human beings to the deceased and divinities – may have broken a particular object into parts. The phenomenon of fragmentation and damage can be more easily analysed as a category of objects that play an important role within society, such as figurines. The possibilities of touching, engaging and carrying a figurine increases its permeability, leading to proximity, engagement and intimacy, as well as the posing of inter-subjective and transcendental questions. Beyond the fact that the phenomenon of fragmentation of figurines was often the result of chance, mechanical processes or involuntary human action, it has usually been explored and explained within closed-circuit arguments (i.e., within the same society to which the figurines belonged), with all the limitations created by such an approach. This volume has the scope to analyse the process using a comparative approach in order to open up new horizons and research lines, confronting the reader at the moment when the figurine was broken, and provoking an interpretation as a moment of re-writing figurine identity, ontology and social bounds. AUTHOR: Gianluca Miniaci is Associate Professor in Egyptology at the University of Pisa, Honorary Researcher at the Institute of Archaeology, UCL – London and Chercheur associé at the École Pratique des Hautes Études, Paris. He is currently co-director of the archaeological mission at Zawyet Sultan (Menya, Egypt) and principal investigator for the project PROCESS (fingerprints on clay figurines). He is author of several volumes, including Rishi Coffins (2011), The Middle Kingdom Ramesseum Papyri Tomb (2021) and The Treasure of the Egyptian Queen Ahhotep (2022) and more than 100 scientific articles.

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9781789259148

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""...Breaking Images (as engaging as some of the case studies and analyses are) demonstrates that new approaches to archaeological breakage beyond intentionality will be required to generate new insight.""--Hannah Mattson ""Journal of Anthropological Research""

"""...Breaking Images (as engaging as some of the case studies and analyses are) demonstrates that new approaches to archaeological breakage beyond intentionality will be required to generate new insight.""--Hannah Mattson ""Journal of Anthropological Research"""

Author Information

Gianluca Miniaci is Associate Professor in Egyptology at the University of Pisa, Honorary Researcher at the Institute of Archaeology, UCL – London and Chercheur associé at the École Pratique des Hautes Études, Paris. He is currently co-director of the archaeological mission at Zawyet Sultan (Menya, Egypt) and principal investigator for the project PROCESS (fingerprints on clay figurines). He is author of several volumes, including Rishi Coffins (2011), The Middle Kingdom Ramesseum Papyri Tomb (2021) and The Treasure of the Egyptian Queen Ahhotep (2022) and more than 100 scientific articles.

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