Brazilian Bodies and Their Choreographies of Identification: Swing Nation

Author:   Cristina F. Rosa
Publisher:   Palgrave Macmillan
Edition:   1st ed. 2015
ISBN:  

9781137462268


Pages:   281
Publication Date:   26 August 2015
Format:   Hardback
Availability:   In Print   Availability explained
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Brazilian Bodies and Their Choreographies of Identification: Swing Nation


Overview

Brazilian Bodies, and their Choreographies of Identification retraces the presence of a particular way of swaying the body that, in Brazil, is commonly known as ginga . Cristina Rosa its presence across distinct and specific realms: samba-de-roda (samba-in-a-circle) dances, capoeira angola games, and the repertoire of Grupo Corpo.

Full Product Details

Author:   Cristina F. Rosa
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2015
Dimensions:   Width: 14.00cm , Height: 1.80cm , Length: 21.60cm
Weight:   4.679kg
ISBN:  

9781137462268


ISBN 10:   1137462264
Pages:   281
Publication Date:   26 August 2015
Audience:   College/higher education ,  Professional and scholarly ,  Postgraduate, Research & Scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction: Choreographing Ideas PART I: UNDERSTANDING GINGA 1. Decoding Ginga Aesthetic 2. Historicizing Ginga PART II: ANALYSING GINGA 3. Understanding the Presence of Ginga in Samba Circles 4. Investigating the Articulation of Ginga in Capoeira Angola 5. What is it about the Baiana? PART III: STAGING GINGA 6. Brazilian Bodies and the National in Dance 7. What is it about Grupo Corpo? Conclusion: The Pride and Shame of being a Swing Nation

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Author Information

Cristina F. Rosa is a native of Brazil who migrated to the US in 1996. She is currently a full-time faculty lecturer in dance at Tufts University. Her research interests include the intersection of embodiment, knowledge production, and processes of identification. She has been published in TDR and e-misférica. She previously taught in the US at Reed College, the University of California, Riverside, the Florida State University, and the California Institute of the Arts. She has also served as a research fellow at Freie Universität Berlin's International Research Center 'Interweaving Performance Cultures' (Germany, 2012-13). She earned her PhD from the University of California, Los Angeles.

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