Overview

Nicole Grimes provides a compellingly fresh perspective on a series of Brahms's elegiac works by bringing together the disciplines of historical musicology, German studies, and cultural history. Her exploration of the expressive potential of Schicksalslied, Nänie, Gesang der Parzen, and the Vier ernste Gesänge reveals the philosophical weight of this music. She considers the German tradition of the poetics of loss that extends from the late-eighteenth-century texts by Hölderlin, Schiller and Goethe set by Brahms, and includes other philosophical and poetic works present in his library, to the mid-twentieth-century aesthetics of Adorno, who was preoccupied as much by Brahms as by their shared literary heritage. Her multifaceted focus on endings - the end of tonality, the end of the nineteenth century, and themes of loss in the music - illuminates our understanding of Brahms and lateness, and the place of Brahms in the fabric of modernist culture.

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9781108474498

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Advance praise: 'Deftly weaving musical commentary into an elegant exploration of the broader cultural fabric of late nineteenth-century Germany, Grimes demonstrates how some of Brahms's greatest but least understood vocal compositions intersected with the intellectual, literary, and philosophical currents of his time. This compelling study represents contextual musicology at its best.' Walter Frisch, Columbia University

Deftly weaving musical commentary into an elegant exploration of the broader cultural fabric of late nineteenth-century Germany, Grimes demonstrates how some of Brahms's greatest but least understood vocal compositions intersected with the intellectual, literary, and philosophical currents of his time. This compelling study represents contextual musicology at its best. Walter Frisch, Columbia University

Advance praise: 'Deftly weaving musical commentary into an elegant exploration of the broader cultural fabric of late nineteenth-century Germany, Grimes demonstrates how some of Brahms's greatest but least understood vocal compositions intersected with the intellectual, literary, and philosophical currents of his time. This compelling study represents contextual musicology at its best.' Walter Frisch, Columbia University Advance praise: `Deftly weaving musical commentary into an elegant exploration of the broader cultural fabric of late nineteenth-century Germany, Grimes demonstrates how some of Brahms's greatest but least understood vocal compositions intersected with the intellectual, literary, and philosophical currents of his time. This compelling study represents contextual musicology at its best.' Walter Frisch, Columbia University

Author Information

Nicole Grimes is Assistant Professor of Music at the University of California, Irvine. She serves on the Editorial Board of Music Analysis and is a member of the Board of Directors of the American Brahms Society. Previous works include Mendelssohn Perspectives (2012) and Rethinking Hanslick: Music, Formalism, and Expression (2013).

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