Overview
Brahms in Context offers a fresh perspective on the much-admired nineteenth-century German composer. Including thirty-nine chapters on historical, social and cultural contexts, the book brings together internationally renowned experts in music, law, science, art history and other areas, including many figures whose work is appearing in English for the first time. The essays are accessibly written, with short reading lists aimed at music students and educators. The book opens with personal topics including Brahms's Hamburg childhood, his move to Vienna, and his rich social life. It considers professional matters from finance to publishing and copyright; the musicians who shaped and transmitted his works; and the larger musical styles which influenced him. Casting the net wider, other essays embrace politics, religion, literature, philosophy, art, and science. The book closes with chapters on reception, including recordings, historical performance, his compositional legacy, and a reflection on the power of composer myths.
Full Product Details
Author: Natasha Loges (Royal College of Music, London) ,
Katy Hamilton (Royal College of Music, London)
Publisher: Cambridge University Press
Imprint: Cambridge University Press
Dimensions:
Width: 15.40cm
, Height: 2.30cm
, Length: 22.80cm
Weight: 0.620kg
ISBN: 9781316615195
ISBN 10: 1316615197
Pages: 435
Publication Date: 19 August 2021
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Paperback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
'... contains much valuable information.' Misha Donat, BBC Music Magazine '... full of intriguing perspectives on what was thought to be well known.' Laura Tunbridge, The Times Literary Supplement 'Readers are likely to want to dip into this book, and anyone doing so will come across some fascinating material ... Brahms in Context is dedicated to the memory of Robert Pascall, whose own work (as writer, analyst and editor) was such an inspiring contribution to Brahms scholarship. Several of his enthusiasts are reflected here and he would, I think, have loved this book.' Nigel Simeone, Gramophone
Author Information
Natasha Loges is Head of Postgraduate Programmes at the Royal College of Music, London. She has published articles on Brahms, concert history and art song in various volumes and journals including 19th-Century Music and Music & Letters. She is author of Brahms and His Poets: A Handbook (2017) and a co-editor of Brahms in the Home and the Concert Hall (Cambridge, 2014). Katy Hamilton is a freelance researcher, writer and presenter. She has published on the history of the Edinburgh Festival, émigré musicians in Britain, and variety shows at the Wigmore Hall. She is a co-editor of Brahms in the Home and the Concert Hall (Cambridge, 2014) and has contributed to several other projects concerning nineteenth-century Lieder.
