Overview

ABOUT THIS SERIES. But after that, I realised that I knew very little about these parents of mine. They had been born about the start of the Twentieth Century, and they died in 1970 and 1980. For their last 50 years, I was old enough to speak with a bit of sense. I could have talked to them a lot about their lives. I could have found out about the times they lived in. But I did not. I know almost nothing about them really. Their courtship? Working in the pits? The Lock-out in the Depression? Losing their second child? Being dusted as a miner? The shootings at Rothbury? My uncles killed in the War? Love on the dole? There were hundreds, thousands of questions that I would now like to ask them. But, alas, I can't. It's too late. Thus, prompted by my guilt, I resolved to write these books. They describe happenings that affected people, real people. The whole series is, to coin a modern phrase, designed to push your buttons, to make you remember and wonder at things forgotten. The books might just let nostalgia see the light of day, so that oldies and youngies will talk about the past and re-discover a heritage otherwise forgotten. Hopefully, they will spark discussions between generations, and foster the asking and answering of questions that should not remain unanswered. ABOUT THIS BOOK. In 1940, the Brits thought the War would be a picnic. But they changed their mind after military disasters in Norway, Belgium and Tobruk. German subs were filling the Channel with British shipping, and the Frogs stopped hopping. Then the Hun parked their planes full-time over London, and Blitzed it. But, against all odds, the Poms survived. In Oz, the first Menzies Government rationed food, clothing, petrol, smokes and shirt tails. It introduced conscription for men, internment for Italian men, and stopped the use of pink icing on cakes. Photography was suspect, strikes were almost treasonable. Amid all this, Contemporary Art was blossoming, and doing its bit to destroy Australian culture.

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Reviews

"Tom Lynch, Speers Point. Some history writers make the mistake of trying to boost their authority by including graphs and charts all over the place. You on the other hand get a much better effect by saying things like ""he made a pile"". Or ""every one worked hours longer than they should have, and felt like death warmed up at the end of the shift."" I have seen other writers waste two pages of statistics painting the same picture as you did in a few words. Barry Marr, Adelaide You know that I am being facetious when I say that I wish the war had gone on for years longer so that you would have written more books about it. Edna College, Auburn. A few times I stopped and sobbed as you brought memories of the postman delivering letters, and the dread that ordinary people felt as he neared. How you captured those feelings yet kept your coverage from becoming maudlin or bogged down is a wonder to me. Betty Kelly, Wagga Wagga. Every time you seem to be getting serious, you throw in a phrase or memory that lightens up the mood. In particular, in the war when you were describing the terrible carnage of Russian troops, you ended with a ten-line description of how aggrieved you felt and ended it with ""apart from that, things are pretty good here"". For me, it turned the unbearable into the bearable, and I went from feeling morbid and angry back to a normal human being. Alan Davey, Brisbane. I particularly liked the light-hearted way you described the scenes at the airports as American, and British, high-flying entertainers flew in. I had always seen the crowd behaviour as disgraceful, but your light-hearted description of it made me realise it was in fact harmless and just good fun."

Tom Lynch, Speers Point. Some history writers make the mistake of trying to boost their authority by including graphs and charts all over the place. You on the other hand get a much better effect by saying things like he made a pile . Or every one worked hours longer than they should have, and felt like death warmed up at the end of the shift. I have seen other writers waste two pages of statistics painting the same picture as you did in a few words. Barry Marr, Adelaide You know that I am being facetious when I say that I wish the war had gone on for years longer so that you would have written more books about it. Edna College, Auburn. A few times I stopped and sobbed as you brought memories of the postman delivering letters, and the dread that ordinary people felt as he neared. How you captured those feelings yet kept your coverage from becoming maudlin or bogged down is a wonder to me. Betty Kelly, Wagga Wagga. Every time you seem to be getting serious, you throw in a phrase or memory that lightens up the mood. In particular, in the war when you were describing the terrible carnage of Russian troops, you ended with a ten-line description of how aggrieved you felt and ended it with apart from that, things are pretty good here . For me, it turned the unbearable into the bearable, and I went from feeling morbid and angry back to a normal human being. Alan Davey, Brisbane. I particularly liked the light-hearted way you described the scenes at the airports as American, and British, high-flying entertainers flew in. I had always seen the crowd behaviour as disgraceful, but your light-hearted description of it made me realise it was in fact harmless and just good fun.

Author Information

"Ron Williams is a retired teacher, mathematician, computer-man, political scientist, farmer and writer. He has a B.A. from Sydney, and a Masters in Social Work and a PhD in Political Science from Hawaii. This is the 19th in a series of 30 books about the Social History of Australia from the year 1939 to 1968. He got much of his material from reading the Sydney Morning Herald and the Age/ Argus every day for the given year, and then picking out best stories, arguments and ideas, as well as the trivia. Throughout this book, I rely a lot on reproducing Letters from the newspapers. Whenever I do this, I put the text in a different font, and indent it a little, and make the font somewhat smaller. I do not edit the text at all. The same is true for the News Items at the start of each Chapter. That is, I do not correct spelling or if the text gets at all garbled, I do not correct it. It's just as it was seen in the Papers. Second Note. The material for this book, when it comes from newspapers, is reported as it was seen at the time. If the benefit of hindsight over the years changes things, then I might record that in my Comments. The info reported thus reflects matters as they were seen in 1949. Third Note. Let me also apologise in advance to anyone I might offend. In a work such as this, it is certain some people will think I got some things wrong. I am sure that I did, but please remember, all of this is only my opinion. And really, my opinion does not matter one little bit in the scheme of things. I hope you will say ""silly old bugger"", and shrug your shoulders, and read on."

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