|
![]() |
|||
|
||||
OverviewBollywood Sounds focuses on the songs of Indian films in their historical, social, commercial, and cinematic contexts. Author Jayson Beaster-Jones takes readers through the highly collaborative compositional process, highlighting the contributions of film directors, music directors (composers), lyricists, musicians, and singers in song production. Through close musical and multimedia analysis of more than twenty landmark compositions, Bollywood Sounds illustrates how the producers of Indian film songs have long mediated a variety of musical styles, instruments, and performance practices to create a uniquely cosmopolitan music genre. As an exploration of the music of seventy years of Hindi films, Bollywood Sounds provides long-term historical insights into film songs and their musical and cinematic conventions in ways that will appeal both to scholars and to newcomers to Indian cinema. Full Product DetailsAuthor: Jayson Beaster-Jones (Assistant Professor of Music and Performance Studies, Assistant Professor of Music and Performance Studies, Texas A&M University, Bryan, TX)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 15.50cm , Height: 1.50cm , Length: 23.10cm Weight: 0.386kg ISBN: 9780199862542ISBN 10: 0199862540 Pages: 264 Publication Date: 11 December 2014 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsPreface Chapter 1: Bollywood Sounds Chapter 2: Film Songs at the End of the Colonial Era and the Emergence of Filmi Style Chapter 3: 'But My Heart is Still Indian:' Film Songs of the Early Post-Colonial Era Chapter 4: The Language and Lyrics of Hindi Films Chapter 5: Songs in the Key of the Angry Young Man and the Cabaret Woman Chapter 6: Liberalization, Family Films, and the Rise of Bollywood Chapter 7: Film Songs in the Era of the Multiplex and YouTube Chapter 8: Concluding Thoughts on the Art and Commerce of Hindi Film Songs Appendix A: Timelines of Key Figures Appendix B: Recommended Listening and Viewing Glossary Bibliography Filmography DiscographyReviewsBollywood Sounds is an exciting addition to the literature on Hindi film song. Beaster-Jones deftly weaves together song analysis, biography, and socio-political context to provide insights about meaning and style on every page. --Anna Schultz, Stanford University This work is destined to become a core text for the study of Indian popular music. It introduces readers to a wealth of carefully analyzed Hindi film hits, accompanied by considerations of the roles of central musical figures and historical/cultural context. It will be an indispensable starting point for scholars and students interested in the Hindi cinema and its music. It is both fascinatingly detailed and ambitiously comprehensive in scope. --Gregory Booth, co-editor of More than Bollywood (2013) Beaster-Jones has given the first broad historical sweep of Hindi film songs from the beginning of sound film and the birth of the Indian film song in 1931 to the present day of programming, Internet and cellphones. The book's deft and articulate interweaving of analysis of the musical sounds, styles and techniques of Hindi film songs with social, economic and political change greatly enriches our understanding of this sometimes bewilderingly dynamic phenomenon. --Anna Morcom, author of Hindi Film Songs and the Cinema (2007) Beaster-Jones has given the first broad historical sweep of Hindi film songs from the beginning of sound film and the birth of the Indian film song in 1931 to the present day of programming, Internet and cellphones. The book's deft and articulate interweaving of analysis of the musical sounds, styles and techniques of Hindi film songs with social, economic and political change greatly enriches our understanding of this sometimes bewilderingly dynamic phenomenon. * Anna Morcom, author of Hindi Film Songs and the Cinema (2007) * This work is destined to become a core text for the study of Indian popular music. It introduces readers to a wealth of carefully analyzed Hindi film hits, accompanied by considerations of the roles of central musical figures and historical/cultural context. It will be an indispensable starting point for scholars and students interested in the Hindi cinema and its music. It is both fascinatingly detailed and ambitiously comprehensive in scope. * Gregory Booth, co-editor of More than Bollywood (2013) * Bollywood Sounds is an exciting addition to the literature on Hindi film song. Beaster-Jones deftly weaves together song analysis, biography, and socio-political context to provide insights about meaning and style on every page. * Anna Schultz, Stanford University * Author InformationJayson Beaster-Jones is an assistant professor of ethnomusicology at the University of California, Merced. Tab Content 6Author Website:Countries AvailableAll regions |