Overview

Full Product Details

Author:   Tejaswini Ganti (New York University, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   2nd edition
Dimensions:   Width: 12.90cm , Height: 1.80cm , Length: 19.80cm
Weight:   0.690kg
ISBN:  

9780415583848

ISBN 10:   0415583845
Pages:   288
Publication Date:   13 February 2013
Audience:   College/higher education ,  Undergraduate
Replaced By:   9781032281056
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

. Introduction 2. The Production and Distribution of Popular Hindi Cinema 3. Narrative Style, Important Themes and Key Conflicts 4. Genre and Hindi Cinema 5. Contemporary Hindi Flmmakers’ Reflections and Perspectives Hindi Cinema. Genre and Narrative Structure. Film Music. Visual Style. ""Indianization"". Bombay Film Industry. The Indian Media Landscape in the 1990s. The Impact of Multiplexes. The Impact of Corporatization. Working with Hollywood. Cosmopolitanism and Diversity. Women in the Film Industry. Hindi Cinema and Society. Significance of Hindi Cinema and Entertainment in India. Censorship. Film Audiences and Fans. Resources. Significant Films. Significant Filmmakers of the Hindi Film Industry

Reviews

"""Ganti’s book is by far one of the best introductions to Bollywood, a subject that reveals itself to possess many fine layers."" -- Devapriya Sanyal, Centre for English Studies, Jawaharlal Nehru University, New Delhi, India"

Ganti's book is by far one of the best introductions to Bollywood, a subject that reveals itself to possess many fine layers. -- Devapriya Sanyal, Centre for English Studies, Jawaharlal Nehru University, New Delhi, India

""Ganti’s book is by far one of the best introductions to Bollywood, a subject that reveals itself to possess many fine layers."" -- Devapriya Sanyal, Centre for English Studies, Jawaharlal Nehru University, New Delhi, India

Ganti's book is by far one of the best introductions to Bollywood, a subject that reveals itself to possess many fine layers. -- Devapriya Sanyal, Centre for English Studies, Jawaharlal Nehru University, New Delhi, India

Author Information

Tejaswini Ganti is an Associate Professor of Anthropology in the Program in Culture and Media at New York University.

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