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OverviewBuilding on the success of the first volume in this series of research on collective and collaborative drawing, this book’s key themes are linked through the concepts of body, space, and place. The location of the body in art has always been central, but the exploration of it here, in relation to place and space, uncovers a wide range of exciting and different contexts, relationships and materials. Space is examined through the practice and theorisation of drawing, through the ongoing artistic practices of the authors, and the writings of Berger and Derrida in relation to making, viewing and understanding the drawing process. Place is examined through unique approaches to considering drawing, through multiple consecutive and site-specific places, through place as a changing and temporal site, and through the idea of the ‘non-place’. The contributors in this volume include academics, artists, dancers, researchers, designers, and architects from across the globe. Full Product DetailsAuthor: Helen Gørrill , Jill Journeaux , Sara ReedPublisher: Cambridge Scholars Publishing Imprint: Cambridge Scholars Publishing Edition: Unabridged edition ISBN: 9781527541962ISBN 10: 1527541967 Pages: 281 Publication Date: 17 January 2020 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationJill Journeaux is Professor of Fine Art in the Centre for Arts, Memory and Communities at Coventry University, UK. She is an artist-researcher, and has published extensively. She co-edited Collective and Collaborative Drawing in Contemporary Practice: Drawing Conversations (2017).Dr Helen Gørrill is an artist, futurist, writer, editor, and educator lecturing in visual culture. She holds a PhD in Contemporary Painting, Gender and Inequality, and her artwork is digitally archived in Brooklyn Museum’s EASCFA collection. As an academic, she applies disruptive techniques to challenge stagnancy in gender equality, feminist methodologies and the visual arts.Dr Sara Reed is Associate Professor of Dance and a member of the Centre for Dance Research at Coventry University, UK. She has published on embodied-movement, the dancing body and somatic practices, and is a trustee at Independent Dance and a qualified Feldenkrais Practitioner. Tab Content 6Author Website:Countries AvailableAll regions |
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