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Author:   Clemens Wöllner
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.610kg
ISBN:  

9781138586857

ISBN 10:   1138586854
Pages:   308
Publication Date:   04 April 2018
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

List of figures List of tables Series editors’ preface Notes on contributors 1 Introduction: structured sounds in bodily and spatial dimensions Clemens Wöllner Part I Bodily movements, gestures and sonification 2 The empowering effects of being locked into the beat of the music Marc Leman, Jeska Buhmann and Edith Van Dyck 3 Exploring music-related micromotion Alexander Refsum Jensenius 4 Cross-modal experience of musical pitch as space and motion: current research and future challenges Zohar Eitan 5 Gestural qualities in music and outward bodily responses Clemens Wöllner and Jesper Hohagen 6 Aesthetics of sonification: taking the subject-position Paul Vickers, Bennett Hogg and David Worrall Part II Sound design, instrumental affordances and embodied spatial perception 7 Instruments, voices, bodies and spaces: towards an ecology of performance W. Luke Windsor 8 Sonic spaces in movies: audiovisual metaphors and embodied meanings in sound design Kathrin Fahlenbrach 9 The colourful life of timbre spaces: timbre concepts from early ideas to meta-timbre space and beyond Christoph Reuter and Saleh Siddiq 10 ‘Music as fluid architecture’: investigating core regions of the spatial brain Christiane Neuhaus Part III Presence and immersion in networked and virtual spaces 11 Music as artificial environment: spatial, embodied multimodal experience Peter Lennox 12 Music perception and performance in virtual acoustic spaces Jude Brereton 13 Space and body in sound art: artistic explorations in binaural audio augmented environments Martin Rumori 14 Embodiment and disembodiment in networked music performance Georg Hajdu 15 Presence through sound Mark Grimshaw Index

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Author Information

Clemens Wöllner is Professor of Systematic Musicology at the University of Hamburg, Germany. His research focuses on performance, multimodal perception and the acquisition of expert skills, employing a range of interdisciplinary methods including motion capture, eye-tracking and physiological measures. He has published widely on topics related to musical conducting, perception–action coupling, human movement, imagery and attention in pianists, empathy and research reflexivity.

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