Bodies and Transformance in Taiwanese Contemporary Theater

Author:   Peilin Liang
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367205331


Pages:   158
Publication Date:   31 July 2019
Format:   Hardback
Availability:   In Print   Availability explained
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Bodies and Transformance in Taiwanese Contemporary Theater


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Overview

In Bodies and Transformance in Taiwanese Contemporary Theater, Peilin Liang develops a theory of bodily transformation. Proposing the concept of transformance, a conscious and rigorous process of self-cultivation toward a reconceptualized body, Liang shows how theater practitioners of minoritized cultures adopt transformance as a strategy to counteract the embodied practices of ideological and economic hegemony. This book observes key Taiwanese contemporary theater practitioners at work in forging five reconceptualized bodies: the energized, the rhythmic, the ritualized, the joyous, and the (re)productive. By focusing on the development of transformance between the years of 2000–2008, a tumultuous political watershed in Taiwan’s history, the author succeeds in bridging postcolonialism and interculturalism in her conceptual framework. Ideal for scholars of Asian and postcolonial theater, Bodies and Transformance in Taiwanese Contemporary Theater shows how transformance, rather than performance, calibrates with far greater precision and acuity the state of the body and the culture that it seeks to create.

Full Product Details

Author:   Peilin Liang
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367205331


ISBN 10:   0367205335
Pages:   158
Publication Date:   31 July 2019
Audience:   General/trade ,  College/higher education ,  General ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Peilin Liang is Assistant Professor of Theatre Studies at the National University of Singapore. She is the director of A Home on the Island, a transnational Practice as Research (PaR) project in applied theater. Her work has appeared in Theatre Topics, Theatre Research International, Contemporary Theatre Review, InterAsia Cultural Studies, Performance Research, and Research in Drama Education.

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