Overview
Bloody Women traces changing gender dynamics in the horror film industry to explore how women have played a crucial role in defining the genre of horror understood as a scholarly discipline, cultural institution, and site of pleasure. While acknowledging that women in the industry face ongoing challenges, this book focuses on their diverse contributions as creators, consumers, and critics of horror, showing how women have been essential in shaping the goals and methods of the genre. Aimed at both scholarly and general readers, the chapters bring together the expertise of filmmakers, festival programmers, and scholars to argue that women have effected a reimagining of horror. To this end, the volume considers a range of historical and theoretical issues relevant to gender and the genre of horror, broadly conceived. The collection explores, for example, female-directed horror films as a distinctive enterprise, one that is potentially marked by unique cinematic techniques and topical concerns. The book also moves into a more public domain, probing how the cultural experience of horror is transformed when the genre’s major festivals and conventions are developed and directed by women. Together, these essays offer a wide-ranging investigation into the stakes of women’s growing prominence in the horror industry. Most centrally, Bloody Women analyzes how the ethics, investments, and objectives of the genre shift when women deploy horror for their own enjoyment.
Full Product Details
Author: Victoria McCollum ,
Aislinn Clarke ,
Ashlee Blackwell ,
Anna Bogutskaya
Publisher: Associated University Presses
Imprint: Lehigh University Press
Dimensions:
Width: 16.30cm
, Height: 2.20cm
, Length: 23.70cm
Weight: 0.594kg
ISBN: 9781611463071
ISBN 10: 1611463076
Pages: 252
Publication Date: 08 April 2022
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
Bloody Women combines irreverence, an encyclopedic knowledge of film and the filmmaker's craft, scholarly acuity, and a sense of humor. The contributors have buried the misogynistic stereotype of the horror genre. More than just another academic reading of pop culture, Clarke and McCollum have offered a gift to fans and a love letter to the women who shaped the genre.--W. Scott Poole, Department of History, College of Charleston Bloody Women offers a timely and critical intervention in Horror Cinema Studies, considering horror cinema made by women, horror cinema watched by women, and female representation in horror cinema. McCollum and Clarke have skillfully framed the discussion and drawn together a diverse range of authors (theorists, historians, practitioners) and topics. This is a must-read volume for scholars, students and fans alike.--Liz Greene, Faculty, Liverpool Screen School, Liverpool John Moores University
Bloody Women combines irreverence, an encyclopedic knowledge of film and the filmmaker's craft, scholarly acuity, and a sense of humor. The contributors have buried the misogynistic stereotype of the horror genre. More than just another academic reading of pop culture, Clarke and McCollum have offered a gift to fans and a love letter to the women who shaped the genre. Bloody Women combines irreverence, an encyclopedic knowledge of film and the filmmaker's craft, scholarly acuity, and a sense of humor. The contributors have buried the misogynistic stereotype of the horror genre. More than just another academic reading of pop culture, Clarke and McCollum have offered a gift to fans and a love letter to the women who shaped the genre. --W. Scott Poole, Department of History, College of Charleston Bloody Women offers a timely and critical intervention in Horror Cinema Studies, considering horror cinema made by women, horror cinema watched by women, and female representation in horror cinema. McCollum and Clarke have skillfully framed the discussion and drawn together a diverse range of authors (theorists, historians, practitioners) and topics. This is a must-read volume for scholars, students and fans alike. Bloody Women offers a timely and critical intervention in Horror Cinema Studies, considering horror cinema made by women, horror cinema watched by women, and female representation in horror cinema. McCollum and Clarke have skillfully framed the discussion and drawn together a diverse range of authors (theorists, historians, practitioners) and topics. This is a must-read volume for scholars, students and fans alike. --Liz Greene, Faculty, Liverpool Screen School, Liverpool John Moores University
Bloody Women combines irreverence, an encyclopedic knowledge of film and the filmmaker's craft, scholarly acuity, and a sense of humor. The contributors have buried the misogynistic stereotype of the horror genre. More than just another academic reading of pop culture, Clarke and McCollum have offered a gift to fans and a love letter to the women who shaped the genre. --W. Scott Poole, Department of History, College of Charleston Bloody Women offers a timely and critical intervention in Horror Cinema Studies, considering horror cinema made by women, horror cinema watched by women, and female representation in horror cinema. McCollum and Clarke have skillfully framed the discussion and drawn together a diverse range of authors (theorists, historians, practitioners) and topics. This is a must-read volume for scholars, students and fans alike. --Liz Greene, Faculty, Liverpool Screen School, Liverpool John Moores University
""Bloody Women combines irreverence, an encyclopedic knowledge of film and the filmmaker's craft, scholarly acuity, and a sense of humor. The contributors have buried the misogynistic stereotype of the horror genre. More than just another academic reading of pop culture, Clarke and McCollum have offered a gift to fans and a love letter to the women who shaped the genre."" --W. Scott Poole, Department of History, College of Charleston ""Bloody Women offers a timely and critical intervention in Horror Cinema Studies, considering horror cinema made by women, horror cinema watched by women, and female representation in horror cinema. McCollum and Clarke have skillfully framed the discussion and drawn together a diverse range of authors (theorists, historians, practitioners) and topics. This is a must-read volume for scholars, students and fans alike."" --Liz Greene, Faculty, Liverpool Screen School, Liverpool John Moores University
Author Information
Victoria McCollumis senior lecturer in cinematic arts at Ulster University. Aislinn Clarke is lecturer in scriptwriting and film at Queen's University, Belfast.
