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9781138377516

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Ariane Balizet cogently argues that blood on the early modern stage makes public the domestic rites and habits of private life and that in so doing, it estranges viewers, often violently, from everyday experience and, most importantly, from early modern hierarchies of gender and power. - Sujata Iyengar, Professor of English, University of Georgia, USA, and author of Shakespeare's Medical Language (2011)

"""Ariane Balizet cogently argues that blood on the early modern stage makes public the domestic rites and habits of private life and that in so doing, it estranges viewers, often violently, from everyday experience and, most importantly, from early modern hierarchies of gender and power."" – Sujata Iyengar, Professor of English, University of Georgia, USA, and author of Shakespeare’s Medical Language (2011)"

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Ariane M. Balizet is Assistant Professor of English and Women’s Studies at Texas Christian University, USA. Her research on blood, bodies, and gender in early modern drama and contemporary popular culture has appeared or is forthcoming in Early Modern Literary Studies, Comparative Literature Studies, and Women’s Studies.

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