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OverviewFull Product DetailsAuthor: Kristin Juarez , Rebecca Peabody , Glenn PhillipsPublisher: X Artists' Books Imprint: X Artists' Books Dimensions: Width: 20.00cm , Height: 2.80cm , Length: 26.00cm Weight: 1.157kg ISBN: 9781737838807ISBN 10: 173783880 Pages: 256 Publication Date: 20 February 2022 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsAuthor InformationKristin Juarez is the Research Specialist for the African American Art History Initiative at the Getty Research Institute. In 2019, she completed her doctorate in Moving Image Studies from Georgia State University. Her research on gesture is situated within the discourses of film, dance, and contemporary art practices. She has contributed to exhibitions, screenings, and catalogs on the LA Rebellion filmmakers, the Black Audio Film Collective, Maren Hassinger, Howardena Pindell, Mickalene Thomas, Reggie Wilson, and Okwui Okpokwasili. Rebecca Peabody is Head of Research Projects and Academic Outreach at the Getty Research Institute, where her research focuses on representations of race, gender, and nationality in twentieth-century American art and culture. Her scholarly publications include Consuming Stories: Kara Walker and the Imagining of American Race(2016), as well as the four edited or co-edited volumes Visualizing Empire: Africa, Europe, and the Politics of Representation(2021), Lawrence Alloway: Critic and Curator(2015), Pacific Standard Time: Los Angeles Art 1945-1980(2011), and Anglo-American Exchange in Postwar Sculpture, 1945- 1975(2011). She is also the author of the trade book The Unruly PhD: Doubts, Detours, Departures, and Other Success Stories(2014). Glenn Phillips is Senior Curator, Head of Exhibitions, and Head of Modern and Contemporary Collections at the Getty Research Institute, where he specializes in postwar and contemporary art, in particular video and performance. He organized the exhibitions California Video; Evidence of Movement; Yvonne Rainer: Dances and Films; It Happened at Pomona: Art at the Edge of Los Angeles, 1969-1973(with Rebecca McGrew); Video Art from Latin America(with Elena Shtromberg); and Radical Communication: Japanese Video Art, 1968-1988. He was also a member of the organizational team for Pacific Standard Time: Art in L.A. 1945-1980, and director, with Lauri Firstenberg, of the Pacific Standard Time Performance and Public Art Festival. In 2018 he curated, with Philipp Kaiser, the exhibitions Harald Szeemann: Museum of Obsessionsand Grandfather: A Pioneer Like Us. Tab Content 6Author Website:Countries AvailableAll regions |