Blake's Drama: Theatre, Performance and Identity in the Illuminated Books

Author:   Diane Piccitto
Publisher:   Palgrave Macmillan
ISBN:  

9781137378002


Pages:   251
Publication Date:   25 June 2014
Format:   Hardback
Availability:   In Print   Availability explained
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Blake's Drama: Theatre, Performance and Identity in the Illuminated Books


Overview

Blake's Drama challenges conventional views of William Blake's multimedia work by reinterpreting it as theatrical performance. Viewed in its dramatic contexts, this art form is shown to provoke an active spectatorship and to depict identity as paradoxically essential and constructed, revealing Blake's investments in drama, action, and the body.

Full Product Details

Author:   Diane Piccitto
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Dimensions:   Width: 14.00cm , Height: 1.60cm , Length: 21.60cm
Weight:   4.287kg
ISBN:  

9781137378002


ISBN 10:   113737800
Pages:   251
Publication Date:   25 June 2014
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Reviews

This book will change the way we think about Blake. Diane Piccitto shows what happens when Blake's own vivid concept of 'Visionary Forms Dramatic' is taken seriously. She applies the idea of drama to Blake's illuminated books both historically and conceptually, drawing equal insight from the context of late eighteenth-century theatre and more unexpected comparisons such as the theories of Brecht and Stanislavsky, and the dramatic basis of Althusser's concept of interpellation. The interpretive results are impressive, especially in combination with Piccitto's own bright constellations of close reading. Her daring yet well founded arguments offer rich food for thought not only for Blakeans but also for those interested in the ongoing redefinition of Romantic drama, as well as larger issues of performance and identity, reader response, and the interactions of image and text. - Tristanne Connolly, University of Waterloo, Canada


Author Information

Diane Piccitto holds a PhD from the University of Western Ontario. Before moving to London, UK, as an independent scholar, she was a Lecturer in the Department of English at the University of Zurich.

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