Awards

• Winner of The American Society for Aesthetics Outstanding Monograph Prize 2017 (United States)

Overview

Full Product Details

Author:   Paul C. Taylor (Pennsylvania State University, USA)
Publisher:   John Wiley and Sons Ltd
Imprint:   Wiley-Blackwell
Dimensions:   Width: 15.00cm , Height: 1.30cm , Length: 22.60cm
Weight:   0.249kg
ISBN:  

9781405150637

ISBN 10:   1405150637
Pages:   208
Publication Date:   13 May 2016
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

Preface and Acknowledgments vii 1 Assembly, Not Birth 1 1 Introduction 1 2 Inquiry and Assembly 3 3 On Blackness 6 4 On the Black Aesthetic Tradition 12 5 Black Aesthetics as/and Philosophy 19 6 Conclusion 26 2 No Negroes in Connecticut: Seers, Seen 32 1 Introduction 33 2 Setting the Stage: Blacking Up Zoe 35 3 Theorizing the (In)visible 36 4 Theorizing Visuality 43 5 Two Varieties of Black Invisibility: Presence and Personhood 48 6 From Persons to Characters: A Detour 51 7 Two More Varieties of Black Invisibility: Perspectives and Plurality 58 8 Unseeing Nina Simone 63 9 Conclusion: Phronesis and Power 69 3 Beauty to Set the World Right: The Politics of Black Aesthetics 77 1 Introduction 77 2 Blackness and the Political 80 3 Politics and Aesthetics 83 4 The Politics–Aesthetics Nexus in Black; or, “The Black Nation: A Garvey Production” 85 5 Autonomy and Separatism 87 6 Propaganda, Truth, and Art 88 7 What is Life but Life? Reading Du Bois 91 8 Apostles of Truth and Right 94 9 On “Propaganda” 98 10 Conclusion 99 4 Dark Lovely Yet And; Or, How To Love Black Bodies While Hating Black People 104 1 Introduction 105 2 Circumscribing the Topic: Definitions and Distinctions 107 3 Circumscribing the Topic, cont’d: Context and Scope 109 4 The Cases 110 5 Reading the Cases 115 6 Conclusion 129 5 Roots and Routes: Disarming Authenticity 132 1 Introduction 132 2 An Easy Case: The Germans in Yorubaland 134 3 A Harder Case: Kente Capers 136 4 Varieties of Authenticity 138 5 From Exegesis to Ethics 144 6 The Kente Case, Revisited 151 6 Make It Funky; Or, Music’s Cognitive Travels and the Despotism of Rhythm 155 1 Introduction 156 2 Beyond the How‐Possible: Kivy’s Questions 157 3 Stimulus, Culture, Race 159 4 Preliminaries: Rhythm, Brains, and Race Music 162 5 The Flaw in the Funk 168 6 (Soul) Power to the People 172 7 Funky White Boys and Honorary Soul Sisters 174 8 Conclusion 177 7 Conclusion: “It Sucks That I Robbed You”; Or, Ambivalence, Appropriation, Joy, Pain 182 Index 186

Reviews

The greatest contribution of the book to analytic aesthetics is that by examining the black aesthetic tradition, Taylor invites us to rethink how aestheticians and philosophers of art have approached the aesthetic tradition in general. - Adriana Clavel-Vazquez, University of Hull - The British Journal of Aesthetics, Volume 59, Issue 2, April 2019

Author Information

Paul C. Taylor teaches Philosophy and African American studies at the Pennsylvania State University, where he has also served as Head of the Department of African American studies. Professor Taylor has provided commentary on race and politics for newspapers and radio shows on four continents. He is the author of Race: A Philosophical Introduction (Polity, 2003; 2nd ed. 2013), has recently completed On Obama (Routledge, 2015), and is one of the editors of the Routledge Companion to the Philosophy of Race (forthcoming).

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