Overview

J-Rod moves like a small tank on the court, his face mean, staring down his opponents. ""I play just like my father,"" he says. ""Before my father died, he was a problem on the court. I'm a problem."" Playing basketball for him fuses past and present, conjuring his father's memory into a force that opponents can feel in each bone-snapping drive to the basket. On the street, every ballplayer has a story. Onaje X. O. Woodbine, a former streetball player who became an all-star Ivy Leaguer, brings the sights and sounds, hopes and dreams of street basketball to life. He shows that big games have a trickster figure and a master of black talk whose commentary interprets the game for audiences. The beats of hip-hop and reggae make up the soundtrack, and the ballplayers are half-men, half-heroes, defying the ghetto's limitations with their flights to the basket. Basketball is popular among young black American men but not because, as many claim, they are ""pushed by poverty"" or ""pulled"" by white institutions to play it. Black men choose to participate in basketball because of the transcendent experience of the game. Through interviews with and observations of urban basketball players, Onaje X. O. Woodbine composes a rare portrait of a passionate, committed, and resilient group of athletes who use the court to mine what urban life cannot corrupt. If people turn to religion to reimagine their place in the world, then black streetball players are indeed the hierophants of the asphalt.

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9780231177290

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Reviews

A uniquely engaging and rewarding read for sociologists.--Douglas Hartmann Contemporary Sociology: A Journal of Reviews This narrative is more than academic prose; it is a deeply personal and poetic travel through the author's own story of racial struggle and the survival tactics of the players he befriends.... In this majestic study of basketball as ritual, religion, and culture, Woodbine plunges into the courts of Boston with an insider's savvy to catalogue the urban sport's pulsating (and potentially transcendent) dialogue.--Publishers Weekly (starred review) Woodbine's got game, on the court and on the page, and here he dunks emphatically. From the time we meet Shorty, a street-basketball legend, through a brief history of the game and its link (religion playing a large role) to young African American culture, we learn of basketball, and the many lives it memorializes, as we have in few other books.--Booklist In this painful, beautiful nonfiction debut, scholar Onaje X. O. Woodbine uses a seamless mix of memoir, ethnography, and poetry to chronicle Boston's street basketball players seeking physical and spiritual grace through hoops.--Boston Magazine A thoughtful, passionate, and personal exploration.--The Boston Globe (Best Books of 2016) A powerful and deeply moving work, Black Gods of the Asphalt reveals a world of redemption and hope rarely glimpsed from the outside.--Diana L. Hayes National Catholic Reporter In Black Gods of the Asphalt, the worlds of religion and hoops come together.... Woodbine shares how the courts can be a place of healing, of ritual, of community, and even transcendence.--Christie Storm Arkansas Democrat Gazette This timely and groundbreaking book is about basketball as lived religion in some of America's most dangerous neighborhoods. But more centrally it is about grief expressed and hope conjured as seen through the lens of a stellar young scholar who has been there and through the eyes of young black men who, though weighed down by the forces of death, somehow rise above the asphalt.--Stephen Prothero, author of Why Liberals Win the Culture Wars (Even When They Lose Elections) For the young men in Woodbine's book, street basketball disconnects players from daily life in a way that gives them joy.... But, at the same time, inner city life literally enshrouds their game, and this tragedy is what Black Gods brings to life in vividly realized accounts of young men and the street ball tournaments they play.--David Lipset Eephus Black Gods of the Asphalt is likely to change your entire perspective of urban basketball.--David Crumm Read The Spirit The stories in Black Gods of the Asphalt are rich and powerful and are woven together skillfully and beautifully. Onaje X. 0. Woodbine switches between his roles as participant and observer, by turns narrating and analyzing with great dexterity.--Rebecca Alpert, author of Religion and Sports In this season where black male bodies are under attack, Black Gods of the Asphalt offers a profound narrative of survival, self-determination, and the urban swag of Boston's inner-city basketball courts as sites where religion is 'lived' and spiritual transformation occurs on a regular basis. Woodbine brilliantly posits that the 'ritual space of the asphalt' is where memory, hope, and healing converge to fight the systemic oppressive forces beyond the rim. This book is a slam dunk!--Emmett G. Price III, editor of The Black Church and Hip Hop Culture: Toward Bridging the Generational Divide

A uniquely engaging and rewarding read for sociologists.--Douglas Hartmann Contemporary Sociology: A Journal of Reviews This narrative is more than academic prose; it is a deeply personal and poetic travel through the author's own story of racial struggle and the survival tactics of the players he befriends.... In this majestic study of basketball as ritual, religion, and culture, Woodbine plunges into the courts of Boston with an insider's savvy to catalogue the urban sport's pulsating (and potentially transcendent) dialogue.--Publishers Weekly (starred review) In this painful, beautiful nonfiction debut, scholar Onaje X. O. Woodbine uses a seamless mix of memoir, ethnography, and poetry to chronicle Boston's street basketball players seeking physical and spiritual grace through hoops.--Boston Magazine Woodbine's got game, on the court and on the page, and here he dunks emphatically. From the time we meet Shorty, a street-basketball legend, through a brief history of the game and its link (religion playing a large role) to young African American culture, we learn of basketball, and the many lives it memorializes, as we have in few other books.--Booklist A thoughtful, passionate, and personal exploration.--The Boston Globe (Best Books of 2016) A powerful and deeply moving work, Black Gods of the Asphalt reveals a world of redemption and hope rarely glimpsed from the outside.--Diana L. Hayes National Catholic Reporter Black Gods of the Asphalt is likely to change your entire perspective of urban basketball.--David Crumm Read The Spirit The stories in Black Gods of the Asphalt are rich and powerful and are woven together skillfully and beautifully. Onaje X. 0. Woodbine switches between his roles as participant and observer, by turns narrating and analyzing with great dexterity.--Rebecca Alpert, author of Religion and Sports This timely and groundbreaking book is about basketball as lived religion in some of America's most dangerous neighborhoods. But more centrally it is about grief expressed and hope conjured as seen through the lens of a stellar young scholar who has been there and through the eyes of young black men who, though weighed down by the forces of death, somehow rise above the asphalt.--Stephen Prothero, author of Why Liberals Win the Culture Wars (Even When They Lose Elections) For the young men in Woodbine's book, street basketball disconnects players from daily life in a way that gives them joy.... But, at the same time, inner city life literally enshrouds their game, and this tragedy is what Black Gods brings to life in vividly realized accounts of young men and the street ball tournaments they play.--David Lipset Eephus In Black Gods of the Asphalt, the worlds of religion and hoops come together.... Woodbine shares how the courts can be a place of healing, of ritual, of community, and even transcendence.--Christie Storm Arkansas Democrat Gazette In this season where black male bodies are under attack, Black Gods of the Asphalt offers a profound narrative of survival, self-determination, and the urban swag of Boston's inner-city basketball courts as sites where religion is 'lived' and spiritual transformation occurs on a regular basis. Woodbine brilliantly posits that the 'ritual space of the asphalt' is where memory, hope, and healing converge to fight the systemic oppressive forces beyond the rim. This book is a slam dunk!--Emmett G. Price III, editor of The Black Church and Hip Hop Culture: Toward Bridging the Generational Divide

A thoughtful, passionate, and personal exploration.--12/7/16 The Boston Globe (Best Books of 2016) A uniquely engaging and rewarding read for sociologists.--Douglas Hartmann Contemporary Sociology: A Journal of Reviews A powerful and deeply moving work, Black Gods of the Asphalt reveals a world of redemption and hope rarely glimpsed from the outside.--Diana L. Hayes National Catholic Reporter For the young men in Woodbine's book, street basketball disconnects players from daily life in a way that gives them joy.... But, at the same time, inner city life literally enshrouds their game, and this tragedy is what Black Gods brings to life in vividly realized accounts of young men and the street ball tournaments they play.--David Lipset Eephus Black Gods of the Asphalt is likely to change your entire perspective of urban basketball.--David Crumm Read The Spirit In Black Gods of the Asphalt, the worlds of religion and hoops come together.... Woodbine shares how the courts can be a place of healing, of ritual, of community, and even transcendence.--Christie Storm Arkansas Democrat Gazette The stories in Black Gods of the Asphalt are rich and powerful and are woven together skillfully and beautifully. Onaje X. 0. Woodbine switches between his roles as participant and observer, by turns narrating and analyzing with great dexterity.--Rebecca Alpert, author of Religion and Sports In this season where black male bodies are under attack, Black Gods of the Asphalt offers a profound narrative of survival, self-determination, and the urban swag of Boston's inner-city basketball courts as sites where religion is 'lived' and spiritual transformation occurs on a regular basis. Woodbine brilliantly posits that the 'ritual space of the asphalt' is where memory, hope, and healing converge to fight the systemic oppressive forces beyond the rim. This book is a slam dunk!--Emmett G. Price III, editor of The Black Church and Hip Hop Culture: Toward Bridging the Generational Divide This timely and groundbreaking book is about basketball as lived religion in some of America's most dangerous neighborhoods. But more centrally it is about grief expressed and hope conjured as seen through the lens of a stellar young scholar who has been there and through the eyes of young black men who, though weighed down by the forces of death, somehow rise above the asphalt.--Stephen Prothero, author of Why Liberals Win the Culture Wars (Even When They Lose Elections)

Author Information

Onaje X. O. Woodbine is assistant professor of philosophy and religion at American University.

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