Overview

Lolita Stewart-White'sblack frag/mentsis a breathtaking series of narrative-lyric poems about the fragmentation of the Black body, family, and community facilitated by the historic and ongoing racism in the US healthcare system. After her husband's cancer diagnosis, Stewart-White finds herself haunted by the trauma Black Americans continue to face in medical settings. These poems, both brazen and tenderhearted, explore enduring love in the face of grief and hardship while drawing parallels to past injustices. Stewart-White expertly weaves ancestral and present voices together, resulting in an intergenerational archive that centers one family's challenging journey in a broader context of how black people protest, repair, and revive.

Full Product Details

Author:   Lolita Stewart-White
Publisher:   Hub City Press
Imprint:   Hub City Press
ISBN:  

9798885740654

Pages:   72
Publication Date:   19 March 2026
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Forthcoming
Availability:   Not yet available  
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

Prelude to Blue Burnt Orange Mountain After the Diagnosis Damn Damn Damn Good Times (Strange Fruit Episode, 1976) A Song for You Kind of Blue: Variation One Chorus of Ancestors FADE IN: Q & A African American Sentence EXHIBIT A – The Tuskegee Experiment The House that was my Husband’s Body Kind of Blue: Variation Two Dear Wife Reconstruction Way in the Middle of the Air fragment: (n.) Daughter’s Responses to a Counseling Session Dear Dad Text from a Friend Everything is a Black Girl Kind of Blue: Variation Three Heartache Ghazal  Afro Beautiful Definition of Blue Oncology Elegy Chorus of Ancestors How to Shield a Dark Body Right On! Exhibit B: Billing Department Kind of Blue: Variation Four Healing Fugitivity The House That Was My Husband’s Body Instructions for Intimacy after your Partner’s Cancer Treatment Husband’s Instructions Dear Death fragment: (v.) Exhibit C: Henrietta Lacks Speaks AFib (or Revolution Redux) Call and Response Dear Husband Kind of Blue: Variation Five How to Cry without Tears Root of my Blues Chorus of Ancestors African American Sentence Emancipation Blues The House that was my Husband’s Body Fragmented: (adj.) Exhibit D: Dem Dark Bones And You Don’t Stop Prayer in A Minor Anointed Chorus of Ancestors Kind of Blue; Variation Six Revolutionary Fragments Black as Material, Mode and Movement Intensive Care Rebellion Self-portrait as Hoodie Sounder

Reviews

“black frag/ments begins with a question—‘Must I sing my warrior an elegy?’—and the poems answer with a resounding, musical yes. You don’t simply read this book,  you listen to it. Each poem is a track, a cut, a groove singing the dark body, the body politic, and the beloved’s vanishing frame. The frequencies of day-to-day survival and historical trauma become lyrics of praise for the resilience and vulnerability of Blackness. Lolita Stewart-White makes metaphor of the broken and gives shape to what escapes ordinary forms. Her black frag/ments constitute a vision of recovery, witness and love.” —Terrance Hayes, National Book Award Winner, author of American Sonnets for My Past and Future Assassin   “Equal parts howl of grief and love song, Lolita Stewart-White’s black frag/ments offers an intimate glimpse of a wife’s love, sadness, anger, and bewilderment as she accompanies her spouse through a racist medical system in a nation of broken promises. In the lineage of Fred Moten, Stewart-White’s lyrical yet minimalist book is a contribution to the discourse of Black fugitivity, as the poet refuses the histories, logics, and values that would confine her and her beloved. A devastating, gorgeous, and important book.” —Sarah Rose Nordgren, author of Best Bones “Now, I gotta get another shelf in my blk-brary for Lolita Stewart-White’s black frag/ments cause I want her joint to be able to breeve and have some elbow room enough to stir things up blk!” —avery r. young, Chicago Poet Laureate (2023-25), author of neckbone “‘There are countless ways to dismantle a dark body:/ scalpel – whistle – rope.’” Lolita Stewart-White’s poetry collection, black frag/ments, unearths the traumas and realities of antiblackness in healthcare, how a ‘burnt-orange mountain’ becomes malignant inside a beloved, the instability of cancer, and a calling upon Black lineage for strength. Stewart-White’s poems evoke prayer, ‘do no harm/ to dark bodies’ as moments slide from the medical to the ancestral. From choruses to memory to cinematic camera pans, black frag/ments interrogates whiteness—surgeons, spaces, doctor’s coats, oncology facilities, histories, tissue samples, teeth—and all that surrounds Black bodies during cancer treatment, reconstruction of existence, and intergenerational healing. Gripping and cerebral, the voices move with doubt and desire, ‘Does whiteness remember I’m part of the discussion? (a chorus) (a mob)/ Do I remember how to assert my blackness (an audience) (a shadow),’ through realms of weighted uncertainty with ancestor guidance and a deep love of partner, love of family, love of self—’I am black balm soothing.’ A book of epic fortitude.” —Felicia Zamora, Author of Interstitial Archaeology

“black frag/ments begins with a question—‘Must I sing my warrior an elegy?’—and the poems answer with a resounding, musical yes. You don’t simply read this book,  you listen to it. Each poem is a track, a cut, a groove singing the dark body, the body politic, and the beloved’s vanishing frame. The frequencies of day-to-day survival and historical trauma become lyrics of praise for the resilience and vulnerability of Blackness. Lolita Stewart-White makes metaphor of the broken and gives shape to what escapes ordinary forms. Her black frag/ments constitute a vision of recovery, witness and love.” —Terrance Hayes, National Book Award Winner, author of American Sonnets for My Past and Future Assassin   “Equal parts howl of grief and love song, Lolita Stewart-White’s black frag/ments offers an intimate glimpse of a wife’s love, sadness, anger, and bewilderment as she accompanies her spouse through a racist medical system in a nation of broken promises. In the lineage of Fred Moten, Stewart-White’s lyrical yet minimalist book is a contribution to the discourse of Black fugitivity, as the poet refuses the histories, logics, and values that would confine her and her beloved. A devastating, gorgeous, and important book.” —Sarah Rose Nordgren, author of Best Bones “Now, I gotta get another shelf in my blk-brary for Lolita Stewart-White’s black frag/ments cause I want her joint to be able to breeve and have some elbow room enough to stir things up blk!” —avery r. young, Chicago Poet Laureate (2023-25), author of neckbone

Author Information

Lolita Stewart-White is a poet, playwright, and filmmaker from Liberty City, Florida. She is a Pushcart nominee and winner of the Paris American Series Prize. Her poetry has been featured in Ploughshares, Prairie Schooner, Beloit Poetry Journal, the Boston Review, and the African American Review. Her poem ""Healing"" was featured in the anthology This is the Honey, curated by New York Times best-selling author Kwame Alexander. Stewart-White is an alumnus of Miami City Theatre's Homegrown Program, a playwriting development program that nurtures emerging BIPOC playwrights. She is a Cave Canem Fellows Fund Project Grantee for her play-in-verse, Liberty City Vignettes currently in development. Stewart-White has received fellowships from the South Florida Cultural Consortium, the Miami Light Project, and the Sundance Screenwriters Lab. Her films have been exhibited at the Los Angeles Pan African Film Festival, the Seattle Black Film Festival, and the Miami Museum of Contemporary Art (MoCA). She lives in Miami, FL.

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