'Black but Human': Slavery and Visual Arts in Hapsburg Spain, 1480-1700

Author:   Carmen Fracchia (Professor of Hispanic Art History, Reader in Hispanic Art History, Birkbeck, University of London)
Publisher:   Oxford University Press
ISBN:  

9780198767978


Pages:   250
Publication Date:   16 October 2019
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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'Black but Human': Slavery and Visual Arts in Hapsburg Spain, 1480-1700


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Author:   Carmen Fracchia (Professor of Hispanic Art History, Reader in Hispanic Art History, Birkbeck, University of London)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 16.20cm , Height: 2.00cm , Length: 24.00cm
Weight:   0.630kg
ISBN:  

9780198767978


ISBN 10:   0198767978
Pages:   250
Publication Date:   16 October 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction 1: 'Black but Human' 2: What Is Human About Slavery? 3: Visual Culture and Slavery 4: Props and Costume 5: Commodification: 'Is There Any Caste Lower Than Blacks and Slaves From Guinea?' 6: The Image of Freedom: 'All Souls Are Of A Single Colour and They Are Wrought In The Same Workshop' Conclusion

Reviews

A wonderful, scholarly, imaginative and necessary work [...] It profoundly develops our understanding of the semiotic construction of the black body [...] The work on the miracle of the black leg is extraordinary. [...] It has finally done justice to Velazquez, Juan de Pareja [...]This book has made available a hitherto neglected mini archive within the study of the visual cultures generated by Atlantic slavery. * Marcus Wood, University of Sussex *


Fracchia is nevertheless to be commended for addressing such an important subject, one that was overlooked for far too long in Spanish art history. Black but Human will be a key reference for scholars and students alike, pointing the way toward future studies on the central place of African and Afro-descendant women and men in shaping the visual and material cultures of early modern Iberia. * Tanya J. Tiffany, University of Wisconsin-Milwaukee, Bulletin of the Comediantes * The visual and textual evidence that it assembles will be of substantial interest to those who study the history of race and colour in visual culture, and its original framing opens the way to those who will wish to take its arguments further. * Pamela A. Patton, Princeton University, New Jersey * Fracchia's groundbreaking book, rich in untapped archival sources, lays a foundation for a new understanding of racial blackness and its representation in the Iberian-Atlantic world. Fracchia integrates diasporic African cultural production and its reception with unprecedented depth and clarity-essential reading for anyone interested in race, aesthetics, art history, cultural studies, Atlantic history, and black studies. * Jesse McCarthy, Harvard University * Fracchia gives the voice and the views of the enslaved unlike any book on art from the period I have read, specifically she builds on the conventional academic scholarship of Victor Stoicha's chapter in Image of the Black in Western Art, she gives expression and humanity to the black enslaved, as well as consistently recognising slavery as a crime against humanity - sympathetically considering the enslaved and ex-enslaved Afro-Hispanics Black but Human. I whole heartedly recommended this book, unreservedly. * BlackMagus Blog * Almost every page has some new, revealing insights....I whole heartedly recommended this book, unreservedly. * Michael Ohajuru, Black Africans in Renaissance Europe * A wonderful, scholarly, imaginative and necessary work [...] It profoundly develops our understanding of the semiotic construction of the black body [...] The work on the miracle of the black leg is extraordinary. [...] It has finally done justice to Velazquez, Juan de Pareja [...]This book has made available a hitherto neglected mini archive within the study of the visual cultures generated by Atlantic slavery. * Marcus Wood, University of Sussex *


Author Information

Carmen Fracchia is a Professor of Hispanic Art History at Birkbeck University of London. Her work focusses on the Hispanic intellectual, political, and religious thought about local Spanish and transatlantic slavery, freedom, subjectivity, and hybridity and their articulations in the visual form during the Hapsburg dynasty.

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