Overview

Studies the history of abstraction in architecture and posits its subversive potential for contemporary Black creators. In Black Abstraction in Architecture, Sean Canty charts the evolution of architectural abstraction from its roots in Euclidean geometry, through its utilization as a vehicle for colonial expansion, to its contemporary reappropriation by Black cultural practitioners. Canty's comprehensive historical and critical scrutiny reveals the paradoxical nature of abstraction as both a mechanism of marginalisation and a potent instrument for socio-political discourse and renewal. By focusing on the transformative contributions of David Hammons, Amanda Williams, and Theaster Gates, this essay illustrates how these artists and architects employ abstraction to question, reinterpret, and enrich architectural standards, embedding within them a rich tapestry of cultural, political, and societal narratives. Canty's approach not only subverts traditional architectural frameworks but also illuminates the potential of abstraction to cultivate a more equitable and introspective architectural conversation. He advocates for a methodology that is at once inventive, inclusive, and sensitive to the intricate interplay of history, identity, and form. AUTHOR: Sean Canty runs his architecture firm Studio Sean Canty in Cambridge, MA, and teaches as an Assistant Professor of Architecture at Harvard Graduate School of Design. He is also a founding principal of Office III, an experimental architectural collective that spans New York, San Francisco, and Cambridge, MA. Esther Choi is a distinguished architecture activist and scholar based in New York and known for her work exploring the intersection of architecture, art, and politics. SELLING POINTS: . A scholarly essay on social implications of abstraction in architectural form . Offers a unique perspective that blends academic rigor with creative exploration . Draws parallels and insights from works of David Hammons, Amanda Williams, and Theaster Gates . Reflects a deep engagement with form, space, and the socio-political narratives that shape them . Sean Canty is widely recognised for his thoughtful exploration of form and space, pushing the boundaries of contemporary architecture and design 80 colour, 20 b/w illustrations

Full Product Details

9783038604327

Table of Contents

Reviews

""On the heels of Adrienne Edwards's influential Art in America essay ""Blackness in Abstraction"" (2015), Sean Canty--an architect and Harvard professor--turns the question from painting toward architecture. The book focuses on David Hammons, Amanda Williams, and Theaster Gates while arguing for a new methodology."" -- ""Art in America, ""7 Books We're Looking Forward to in January""""

Author Information

Sean Canty runs his architecture firm Studio Sean Canty in Cambridge, MA, and teaches as an Assistant Professor of Architecture at Harvard Graduate School of Design. He is also a founding principal of Office III, an experimental architectural collective that spans New York, San Francisco, and Cambridge, MA. Esther Choi is a distinguished architecture activist and scholar based in New York and known for her work exploring the intersection of architecture, art, and politics.

Tab Content 6

Countries Available