Overview
The first English-language book on Czerny, and the broadest survey of his activity in any language. Within the history of European music, Carl Czerny (1791-1857) is simultaneously all too familiar and virtually invisible. During his lifetime, he was a highly successful composer of popular piano music, and his pedagogical works remain fundamental to the training of pianists. But Czerny's reputation in these areas has obscured the remarkable breadth of his activity, and especially his work as a composer of serious music, which recent performances and recordings have shown to hold real musical interest. Beyond ""The Art of Finger Dexterity"" explores Czerny's multifaceted career and its legacy and provides the first broad assessment of his work as a composer. Prominent North American and European musicians and scholars explore topics including Czerny's life and its context; his autobiographical writings and efforts to promote his teacher, Beethoven; his activity as a pedagogue, both as teacher of Liszt and as the authority held up to innumerable amateur women pianists; his role in shaping performance traditions of classical music; the development of his image during and after his lifetime; and his work in genres including the Mass, the symphony, the string quartet, and the piano fantasy. This is the first English-language book on Czerny, and the broadest survey of his activity in any language. Contributors: George Barth, Otto Biba, Attilio Bottegal, Deanna C. Davis, James Deaville, Ingrid Fuchs, David Gramit, Alice M. Hanson, Anton Kuerti, Marie Sumner Lott, James Parakilas, Michael Saffle, Franz A. J. Szabo, Douglas Townsend, and John Wiebe. DavidGramit [University of Alberta] is the author of Cultivating Music: The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848.
Full Product Details
Author: David Gramit (Customer) ,
Alice M. Hanson (Contributor) ,
Anton Kureti (Contributor) ,
Attilio Bottegal
Publisher: Boydell & Brewer Ltd
Imprint: University of Rochester Press
Volume: v. 53
Dimensions:
Width: 15.20cm
, Height: 2.50cm
, Length: 22.90cm
Weight: 0.598kg
ISBN: 9781580462501
ISBN 10: 1580462502
Pages: 298
Publication Date: 01 April 2008
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Awaiting stock
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Reviews
[Gramit's] sophisticated introduction . . . ably sets the stage for the variety of approaches that follow. . . . Generously illustrated with musical examples. . . . As a codifier of compositional and improvisational practices . . . [Czerny] has always been of vital importance. . . . As a result, some of the most valuable chapters in this volume either delve into his Viennese musical world in detail . . . . or specifically discuss Czerny's writings on improvisation and performance practice. JOURNAL OF MUSICOLOGICAL RESEARCH [Kenneth Hamilton] It is difficult to overestimate [this book's] importance as a contribution to the reappraisal of Czerny the composer and, paradoxically, its challenge to a work-centred view of history by stressing the validity and significance of Czerny's activities other than the composition of 'serious' music. The standard of presentation is high throughout the book and the illustrations are generous in quantity. . . . Scrupulously thorough editing. . . . A great deal of new ground is . . . covered . . . [and the chapters by Deaville and Sumner Lott, respectively, are] thought-provoking . . . [and] analytically penetrating. AD PARNASSUM: A JOURNAL OF EIGHTEENTH- AND NINTEENTH-CENTURY INSTRUMENTAL MUSIC [Rohan H. Stewart-MacDonald] The book is a good read and its subject, as Gramit says, of genuine interest. . . . [In] Ingrid Fuchs's chapter . . . we see the significance of the man. . . . James Parakilas's claim of Czerny as one of the important founders of the historical performance movement is thought-provoking. . . .[Also notable is] Marie Lott's interesting look at two [unpublished Czerny] string quartets. . . . [The book is marked throughout by] usefulness, originality, interest and professionalism. MUSICAL TIMES [Peter Williams] A glittering array of scholars with David Gramit at the helm have much to tell us about a wide range of subjects. . . . This is an essential -- and fascinating -- scholarly work of restoration and reassessment. --Susan Youens, University of Notre Dame There are few figures who have exerted a comparable influence on the great classical tradition who have suffered such neglect. . . . Likely to be the best book on Czerny for a very, very long time. The cast of scholars assembled here is stellar, and their contributions illuminate our understanding of the man, his world, and the fascinating matter of musical reputations. --Leon Botstein, President of Bard College
The book is a good read and its subject, as Gramit says, of genuine interest. ... (In) Ingrid Fuchs's chapter ... we see the significance of the man... James Parakilas's claim of Czerny as one of the important founders of the historical performance movement is thought-provoking... (Also notable is) Marie Lott's interesting look at two (unpublished Czerny) string quartets... (The book is marked throughout by) usefulness, originality, interest and professionalism.-- Peter Williams, MUSICAL TIMES A glittering array of scholars with David Gramit at the helm have much to tell us about a wide range of subjects autour de Czerny: his views on virtuosity vis-a-vis his student Liszt, the Vienna of Czerny's day, his role as a Beethovenian ambassador after the great composer's death, his ecumenical teaching of both men and women, the unfairly neglected corpus of serious, often large and ambitious works, and much more. This is an essential -- and fascinating -- scholarly work of restoration and reassessment. -- Susan Youens, University of Notre Dame There are few figures who have exerted a comparable influence on the great classical tradition who have suffered such neglect. This is not only the first book to consider Czerny's various contributions to music -- as gifted performer, prolific composer of orchestral works, renowned teacher, and inventor of pianistic exercises worthy of recital performance -- it is likely to be the best book on Czerny for a very, very long time. The cast of scholars assembled here is stellar, and their contributions illuminate our understanding of the man, his world, and the fascinating matter of musical reputations. -- Leon Botstein, President of Bard College
Author Information
David Gramit teaches musicology at the University of Alberta in Edmonton, Canada. David Gramit teaches musicology at the University of Alberta in Edmonton, Canada.
