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Full Product Details

Author:   James Elkins ,  Harper Montgomery
Publisher:   Pennsylvania State University Press
Imprint:   Pennsylvania State University Press
Volume:   4
Dimensions:   Width: 17.80cm , Height: 2.40cm , Length: 25.40cm
Weight:   0.771kg
ISBN:  

9780271060729

ISBN 10:   0271060727
Pages:   248
Publication Date:   20 August 2013
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock  
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Table of Contents

Contents Series Preface Introduction, James Elkins The Seminars 1 Introductory Seminar 2 The Anti-Aesthetic in the 1980s: Craig Owens’s “The Allegorical Impulse” 3 The Anti-Aesthetic in the 1990s: The Body 4 Theory and Criticism 5 Theoretical Positions: Critical Theory 6 Theoretical Positions: Rancière, Deleuze, Relational Aesthetics 7 Theoretical Positions: Affect Theory in Art History 8 Theoretical Positions: Affect Theory at Large 9 Things Missing from This Book Assessments Preface, Harper Montgomery Grant Kester Alexander Dumbadze Geng Youzhuang Cary Levine Boris Groys Gregory Sholette Eva Schürmann Maria Filomena Molder Gary Peters Andrew McNamara Gordon Hughes Toni Ross Justin McKeown Timotheus Vermeulen Noah Simblist Rebecca Zorach Carrie Noland Robert Storr William Mazzarella Luis Camnitzer Jon Simons Angela Dimitrikaki Afterword, Gretchen Bakke Notes on the Contributors Index

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Author Information

James Elkins is E. C. Chadbourne Professor in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. He coedited the first two volumes in the series, Art and Globalization (Penn State, 2010) and What Is an Image? (Penn State, 2011), and edited the third, What Do Artists Know? (Penn State, 2012). Harper Montgomery is the Patricia Phelps de Cisneros Professor of Modern and Contemporary Latin American Art and Distinguished Lecturer at Hunter College.

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