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OverviewThe Caribbean has been traditionally associated with externally devised mappings and categories, thus appearing as a passive entity to be consumed and categorized. Challenging these forces and representations, Carlos Garrido Castellano argues that something more must be added to the discussion in order to address contemporary Caribbean visual creativity. Beyond Representation in Contemporary Caribbean Art arises from several years of field research and curatorial activity in museums, universities, and cultural institutions of Jamaica, Trinidad, Martinique, Guadeloupe, Cuba, Dominican Republic, Puerto Rico, and the United States. This book explores the ways in which Caribbean individuals and communities have recurred to art and visual creativity to create and sustain public spaces of discussion and social interaction. The book analyzes contemporary Caribbean art in relation to broader discussions of citizenship, cultural agency, critical geography, migration, and social justice. Covering a broad range of artistic projects, including curatorial practice, socially engaged art, institutional politics, public art, and performance, this book is about the imaginative ways in which Caribbean subjects and communities rearrange the sociocultural framework(s) they inhabit and share. Full Product DetailsAuthor: Carlos Garrido CastellanoPublisher: Rutgers University Press Imprint: Rutgers University Press Dimensions: Width: 15.20cm , Height: 1.80cm , Length: 22.90cm Weight: 0.313kg ISBN: 9780813594804ISBN 10: 0813594804 Pages: 230 Publication Date: 03 May 2019 Recommended Age: From 18 to 99 years Audience: Professional and scholarly , College/higher education , Professional and scholarly , Professional & Vocational , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsReviews“Reading this book immediately impressed upon me new ways of interpreting Caribbean art and art practices. Garrido Castellano has not created a framework for prescriptive viewing but challenges us to find different spaces of enunciation that our artists allow us to enter through their imaginative freedoms.”— Patricia Mohammed, author of Imaging the Caribbean: Culture and Visual Translation Critique d'art excerpt of Beyond Representation by Carlos Garrido Castellano — Critique d'art “This book is not only valuable for breaking ground as a scholarly approach to Caribbean contemporary art and art curation as a whole, but for doing so in a much needed radical way, confronting prevailing stereotypes about the region and its cultures. Its discourse assumes the implicated complexities instead of reducing them. This is probably due to a manifold approach based both on thorough research and on the author's own direct, committed involvement with the diverse artistic practices in the islands, and with socially engaged art in particular.”— Gerardo Mosquer, Founder of the Havana Biennale, Independent art critic, historian and curator This book is not only valuable for breaking ground as a scholarly approach to Caribbean contemporary art and art curation as a whole, but for doing so in a much needed radical way, confronting prevailing stereotypes about the region and its cultures. Its discourse assumes the implicated complexities instead of reducing them. This is probably due to a manifold approach based both on thorough research and on the author's own direct, committed involvement with the diverse artistic practices in the islands, and with socially engaged art in particular. --Gerardo Mosquer Founder of the Havana Biennale, Independent art critic, historian and curator Reading this book immediately impressed upon me new ways of interpreting Caribbean art and art practices. Garrido Castellano has not created a framework for prescriptive viewing but challenges us to find different spaces of enunciation that our artists allow us to enter through their imaginative freedoms. --Patricia Mohammed author of Imaging the Caribbean: Culture and Visual Translation Critique d'art excerpt of Beyond Representation by Carlos Garrido Castellano --Critique d'art This book is not only valuable for breaking ground as a scholarly approach to Caribbean contemporary art and art curation as a whole, but for doing so in a much needed radical way, confronting prevailing stereotypes about the region and its cultures. Its discourse assumes the implicated complexities instead of reducing them. This is probably due to a manifold approach based both on thorough research and on the author's own direct, committed involvement with the diverse artistic practices in the islands, and with socially engaged art in particular. --Gerardo Mosquer Founder of the Havana Biennale, Independent art critic, historian and curator Reading this book immediately impressed upon me new ways of interpreting Caribbean art and art practices. Garrido Castellano has not created a framework for prescriptive viewing but challenges us to find different spaces of enunciation that our artists allow us to enter through their imaginative freedoms. --Patricia Mohammed author of Imaging the Caribbean: Culture and Visual Translation """Reading this book immediately impressed upon me new ways of interpreting Caribbean art and art practices. Garrido Castellano has not created a framework for prescriptive viewing but challenges us to find different spaces of enunciation that our artists allow us to enter through their imaginative freedoms.""--Patricia Mohammed ""author of Imaging the Caribbean: Culture and Visual Translation"" ""This book is not only valuable for breaking ground as a scholarly approach to Caribbean contemporary art and art curation as a whole, but for doing so in a much needed radical way, confronting prevailing stereotypes about the region and its cultures. Its discourse assumes the implicated complexities instead of reducing them. This is probably due to a manifold approach based both on thorough research and on the author's own direct, committed involvement with the diverse artistic practices in the islands, and with socially engaged art in particular.""--Gerardo Mosquer ""Founder of the Havana Biennale, Independent art critic, historian and curator"" Critique d'art excerpt of Beyond Representation by Carlos Garrido Castellano -- ""Critique d'art""" “This book is not only valuable for breaking ground as a scholarly approach to Caribbean contemporary art and art curation as a whole, but for doing so in a much needed radical way, confronting prevailing stereotypes about the region and its cultures. Its discourse assumes the implicated complexities instead of reducing them. This is probably due to a manifold approach based both on thorough research and on the author's own direct, committed involvement with the diverse artistic practices in the islands, and with socially engaged art in particular.” -- Gerardo Mosquer * Founder of the Havana Biennale, Independent art critic, historian and curator * “Reading this book immediately impressed upon me new ways of interpreting Caribbean art and art practices. Garrido Castellano has not created a framework for prescriptive viewing but challenges us to find different spaces of enunciation that our artists allow us to enter through their imaginative freedoms.” -- Patricia Mohammed * author of Imaging the Caribbean: Culture and Visual Translation * Critique d'art excerpt of Beyond Representation by Carlos Garrido Castellano * Critique d'art * Author InformationCarlos Garrido Castellano is a lecturer at the Spanish, Portuguese, and Latin American Studies Department at Cork University in Cork, Ireland and a researcher at the University Lisbon in Portugal. Tab Content 6Author Website:Countries AvailableAll regions |
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