Beyond National Identity: Pictorial Indigenism as a Modernist Strategy in Andean Art, 1920–1960

Author:   Michele Greet (George Mason University)
Publisher:   Pennsylvania State University Press
Volume:   13
ISBN:  

9780271034706


Pages:   312
Publication Date:   03 November 2009
Format:   Paperback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Beyond National Identity: Pictorial Indigenism as a Modernist Strategy in Andean Art, 1920–1960


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Author:   Michele Greet (George Mason University)
Publisher:   Pennsylvania State University Press
Imprint:   Pennsylvania State University Press
Volume:   13
Dimensions:   Width: 22.90cm , Height: 2.20cm , Length: 24.10cm
Weight:   1.220kg
ISBN:  

9780271034706


ISBN 10:   027103470
Pages:   312
Publication Date:   03 November 2009
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Reviews

Greet's study is purposeful, careful, and thoughtful, a nuanced analysis of indigenism in twentieth-century Andean art. It is an ambitious project chronicling forty years of complex historical, artistic, and geographic terrain. -- Stacie Widdifield


With great skill and insight, Greet weaves the history of pictorial indigenism in Latin America into the larger narrative of twentieth-century art and politics in the Americas. E. Douglas, Choice


With great skill and insight, Greet weaves the history of pictorial indigenism in Latin America into the larger narrative of twentieth-century art and politics in the Americas. E. Douglas, Choice


This book makes an excellent contribution to the literature on Latin American art and culture. On the basis of providing new insights into understudied but significant figures alone, this book is invaluable. -Katherine Manthorne, CUNY Graduate Center Michele Greet's study is purposeful, careful, and thoughtful, a nuanced analysis of indigenism in twentieth-century Andean art. It is an ambitious project chronicling forty years of complex historical, artistic, and geographic terrain. -Stacie Widdifield, University of Arizona With great skill and insight, Greet weaves the history of pictorial indigenism in Latin America into the larger narrative of twentieth-century art and politics in the Americas. -E. Douglas, Choice


Author Information

Michele Greet is Assistant Professor of Art History at George Mason University.

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