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It seems hardly fair that Dorothea Tanning, in a long, passionately inventive career as a painter, should have acquired as well the other harmony of prose, and that her passionate inventions as a writer should be so lovingly, so wisely resolved. Indeed it is not fair at all: the Muse was never an equal-opportunity employer, and the only appropriate response to Between Lives is untempered gratitude. How grateful I am for the Muse's caprice, twice over, for Dorothea Tanning is a dauntless writer who is entitled to love her life; she created it, and now, quite unfairly, I love it, too. -- Richard Howard

In buoyant and electric prose, laced with wit and leavened with ungrudging generosity, Dorothea Tanning has given us in this memoir a brilliant account of the fizz and panache of a truly remarkable life: Stravinsky provides her wedding champagne; at a Paris soir e, Andr Malraux upstages Orson Welles; J. Robert Oppenheimer turns up at Les Deux Magots; and the gentle and enigmatic surrealist Max Ernst, Ms. Tanning's husband, is the presiding spirit. This is a sustained success of recuperative magic. --Anthony Hecht

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Dorothea Tanning's painting and sculpture rank among the most inventive of any living American artist. Her poetry has appeared in The New Republic, Partisan Review, and The Paris Review, among many other publications, and was included in The Best American Poetry 2000. She lives in New York City.

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