Betty Woodman - Theatre of the Domestic

Author:   Betty Woodman ,  Vincenzo Bellis ,  Suzanne Hudson (University of Southern California USA) ,  Stuart Krimko
Publisher:   Mousse Publishing
ISBN:  

9788867492183


Pages:   180
Publication Date:   27 May 2021
Format:   Paperback
Availability:   In Print   Availability explained
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Betty Woodman - Theatre of the Domestic


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Overview

From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and Egyptian art, Greek and Etruscan sculpture, Tang Dynasty works, majolica and Sèvres porcelain, Italian Baroque architecture and the paintings of Bonnard, Picasso and Matisse, while also introducing innovations in both style and technique. In particular, her way of combining ceramics and painting shows a painterly sensibility that in recent years has played a key role in the development of her work. This publication focuses on work made over the past ten years, while taking stock of Woodman's continued relevance to contemporary art and her importance among postwar artists.

Full Product Details

Author:   Betty Woodman ,  Vincenzo Bellis ,  Suzanne Hudson (University of Southern California USA) ,  Stuart Krimko
Publisher:   Mousse Publishing
Imprint:   Mousse Publishing
Dimensions:   Width: 22.00cm , Height: 1.50cm , Length: 29.00cm
Weight:   1.043kg
ISBN:  

9788867492183


ISBN 10:   8867492187
Pages:   180
Publication Date:   27 May 2021
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Barry Schwabsky is art critic for The Nation and co-editor of international reviews for Artforum. He has taught at New York University, Yale University, and Goldsmiths College.

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