Full Product Details
Author: Janet K. Halfyard
Publisher: Taylor & Francis Ltd
Imprint: Routledge
Edition: New edition
Dimensions:
Width: 15.60cm
, Height: 1.90cm
, Length: 23.40cm
Weight: 0.793kg
ISBN: 9780754654452
ISBN 10: 0754654451
Pages: 332
Publication Date: 22 August 2007
Audience:
College/higher education
,
Postgraduate, Research & Scholarly
Format: Hardback
Publisher's Status: Active
Availability: In Print
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Reviews
'... contains much valuable, insightful commentary...' Studies in Musical Theatre '...the first serious contribution to the understanding of this very important part of Berio's compositional output....in addition to these specialist essays covering different aspects of confronting Berio's compositions and abounding in examples from the scores, statistical and graphical respresentation of the research results etc., the book offers an extensive bibliography on Berio and his work, listing of the editions of the Sequenza and the Chemins, a discography register and an index. As such, it surely represents a piece of inevitable literature for experts researching both Berio's work, and composition of the 20th century in general.' International Review of the Sociology and Aesthetics of Music '... a number of musicological fields - solo performance studies, later 20th-century aesthetics, issues of the work-concept - are all the richer for this stimulating volume.' Tempo
'... contains much valuable, insightful commentary...' Studies in Musical Theatre '...the first serious contribution to the understanding of this very important part of Berio's compositional output...in addition to these specialist essays covering different aspects of confronting Berio's compositions and abounding in examples from the scores, statistical and graphical respresentation of the research results etc., the book offers an extensive bibliography on Berio and his work, listing of the editions of the Sequenza and the Chemins, a discography register and an index. As such, it surely represents a piece of inevitable literature for experts researching both Berio's work, and composition of the 20th century in general.' International Review of the Sociology and Aesthetics of Music '... a number of musicological fields - solo performance studies, later 20th-century aesthetics, issues of the work-concept - are all the richer for this stimulating volume.' Tempo
Author Information
Janet K. Halfyard is a senior lecturer at UCE Birmingham Conservatoire. Her research includes work on Luciano Berio, Cathy Berberian, extended vocal technique and performance practice issues in contemporary repertoire, and she is active as a performer with the contemporary music ensemble, decibel. Her publications also include work on film and television music: she is the author of Danny Elfman's Batman: a film score guide (2004) in the Scarecrow Press Film Score Guide series and has contributed to European Film Music (2006) in Ashgate's Popular and Folk Music series. David Osmond-Smith, Cynthia Folio, Alexander Brinkman, Kirsty Whatley, Zoe Browder Doll, Patricia Alessandrini, Jonathan Impett, Janet K. Halfyard, Paul Roberts, Eugene Montague, Andrea Cremaschi, Edward Venn, Irna Priore, Didier Guigue, Marcilio Fagner Onofre, Amanda Bayley, Mark D. Porcaro, Thomas Gartmann.
