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Author:   Egil Törnqvist
Publisher:   McFarland & Co Inc
Imprint:   McFarland & Co Inc
Dimensions:   Width: 15.20cm , Height: 1.40cm , Length: 22.90cm
Weight:   0.367kg
ISBN:  

9780786416035

ISBN 10:   0786416033
Pages:   271
Publication Date:   08 September 2003
Recommended Age:   From 18 years
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Table of Contents Preface      Introduction      ONE. TRANSPOSITIONS 1. From Drama Text to Stage Performance: Ibsen’s Ghosts      2. From Drama Text to Radio Play: Aural Strindberg      3. From Screenplay to Film: Bergman’s The Communicants      TWO. MULTIMEDIA 4. Transcending Boundaries: Mozart’s The Magic Flute as Television Opera      5. Molière’s Don Juan on Stage and Screen      6. Euripides’ The Bacchae as Opera, Television Opera, and Stage Play      7. Mishima’s Madame de Sade on Stage and on Television      THREE. INTERMEDIALITY 8. Bergman’s After the Rehearsal on Television      9. Film and Stage on Television: Bergman’s In the Presence of a Clown      10. Film on Stage and on Television: Enquist’s The Image Makers      FOUR. PRESENTATIONAL ASPECTS 11. The Subjective Point of View      12. The Visualized Audience      13. The Hidden Observers      14. The Silent Characters      15. “This Is My Hand”      EPILOGUE      Appendix: Subtitling Bergman      Notes      Bibliography      Index     

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Author Information

Egil Törnqvist, professor emeritus at the University of Amsterdam, is a leading Bergman scholar. He has also published books on Ibsen, Strindberg, and O’Neill and has lectured widely in Europe, the United States and China. He lives in Amsterdam, Holland.

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