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OverviewBelgian Museums of the Great War: Politics, Memory, and Commerce examines the handling of the centennial of World War I by several museums along the Western Front in Flanders, Belgium. In the twenty-first century, the museum has become a strategic space for negotiating ownership of and access to knowledge produced in local settings. The specific focus on museums and commemorative events in Flanders allows for an in-depth evaluation of how each museum works with the remembrance and tourist industry in the region while carving a unique niche. Belgian Museums of the Great War writes the history of these institutions, analyzes the changes made in advance of the anniversary years, and considers the site-specificity of each institution and its architectural frame. Since museums not only transmit information but also shape knowledge, as Eileen Hooper-Greenhill has noted, the diverse narratives and community programs sponsored by each museum have served to challenge prior historiographies of the war. Through newly revamped interactive environments, self-guided learning, and an emphasis on the landscape, the museums in Flanders have a significant role to play in the ever-changing dialogue on the meaning of the history and remembrance of the Great War. Full Product DetailsAuthor: Karen ShelbyPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.453kg ISBN: 9780367874438ISBN 10: 0367874431 Pages: 282 Publication Date: 12 December 2019 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsChapter 1 Introduction: poppies Chapter 2 What remains of the country: the war in Belgium Chapter 3 Planning the centennial Chapter 4 Site-specificity and the architecture of remembrance Chapter 5 Historical or memorial site: the museum as ruin Chapter 6 Immersion: trench and reenactment strategies Chapter 7 Expression and document: art in the war museum Chapter 8 The exhibition narrative: an object-centered practice Chapter 9 Conclusion: tourism and remembranceReviewsAuthor InformationKaren Shelby is an Associate Professor of Art History at Baruch College, City University of New York. Her research focuses on the cultural politics of exhibition narratives, memorials, and cemetery design through examination of the visual culture of the Great War. Tab Content 6Author Website:Countries AvailableAll regions |