Why I Wrote This Poem: 62 Poets on Creating Their Works

Author:   William Walsh
Publisher:   McFarland & Co Inc
ISBN:  

9781476684055


Pages:   294
Publication Date:   03 January 2023
Recommended Age:   From 18 years
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Why I Wrote This Poem: 62 Poets on Creating Their Works


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Full Product Details

Author:   William Walsh
Publisher:   McFarland & Co Inc
Imprint:   McFarland & Co Inc
Dimensions:   Width: 15.20cm , Height: 1.50cm , Length: 22.90cm
Weight:   0.386kg
ISBN:  

9781476684055


ISBN 10:   1476684057
Pages:   294
Publication Date:   03 January 2023
Recommended Age:   From 18 years
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Table of Contents Acknowledgments Introduction Kim Addonizio delete“Cigar Box Banjo” deleteCigar Box Banjo Reflection David Baker delete“Nineteen Spikes” deleteWriting in Peril Aliki Barnstone delete“Scripture for Coronavirus” deleteOn Writing “Scripture for Coronavirus”: E Pluribus Unum Erin Belieu delete“With Birds” deleteNotes on “With Birds” Richard Blanco delete“Looking for The Gulf Motel” deleteMemory as Homeland David Bottoms delete“Under the ­Vulture-Tree"" deleteUnder the Vulture-Tree on the Wakulla River Earl Sherman Braggs delete“Sandy Columbine Hook Parkland” deleteWhat We Come to Know, What Comes to Know Fred Chappell delete“The Departures” deleteThey Chen Chen delete“The School of Night & Hyphens” deleteTelling the Truth About Love Marilyn Chin delete“Bamboo, the Dance” deletePoetry of Necessity Ama Codjoe delete“Burying Seeds” deleteOn Composing “Burying Seeds” Stephen Corey delete“History of My Present” deleteThe History of “History of My Present” Chad Davidson delete“Putting In” deleteThe Tricky Business of Elegies Denise Duhamel delete“Recession Commandments” deleteLies I Told Myself Camille Dungy delete“One Night in 1888, as the French steamboat ­Abd-el-Kader” deleteOne Night in 1888 Stephen Dunn delete“Elementary” deleteResuscitating the “Elementary” Poem Cornelius Eady delete“Baldwin” deleteWriting “Baldwin” Martín Espada delete“Letter to My Father” deleteNotes on “Letter to My Father” Beth Ann Fennelly delete“What I Think About When Someone Uses ‘Pussy’ as a Synonym for ‘Weak’” deleteOut of the Quarrel with Others Annie Finch delete“A Root” deleteThe Roots of “A Root” Greg Fraser delete“The Good News” deleteDelivering “The Good News” Alice Friman delete“Under a Blind Eye” deleteConfession: On “Under a Blind Eye” Ángel García delete“Barely” deleteThe Man Inside the Poem Margaret Gibson delete“Exchange” deleteOn Writing “Exchange” Nikki Giovanni delete“Knoxville, Tennessee” deleteIt’s Your Decision When You Want to Share Beth Gylys delete“My Father’s Nightmare” deleteMy Father’s Daughter: Sex, Lies, and Telling It Slant Janice N. Harrington delete“Layered Pigments” deleteThe Layered Pigments of Elegy and Racial History Terrance Hayes delete“A POEM BY YOU” delete Edward Hirsch delete“For the Sleepwalkers” deleteSomething Wonderful Jane Hirshfield delete“Today, When I Could Do Nothing” deleteOn Writing “Today, When I Could Do Nothing” Christine Kitano delete“Dumb Luck” deleteWhat is the Ethnicity of the Speaker? Yusef Komunyakaa delete“My Good Hand Plays God” deleteThe Hands Ted Kooser delete“An Entrance” deletePoems of Gesture Dorianne Laux delete“Facts About the Moon” deleteLove in Spite of the Facts Sandra Lim delete“A Tab of Iron on the Tongue” deleteThe Lunacy of Lyric Poetry Adrian Matejka delete“Gymnopédies No. 2” deleteWhat Really Happened Airea D. Matthews delete“If my late grandmother were Gertrude Stein” deleteIf Ain’t Campbell McGrath delete“The Ladder” deleteIn the Castle of the Stranger Dunya Mikhail delete“The Stranger in Her Feminine Sign” deleteFemale Slave Market Robert Morgan delete“Sigodlin” deleteThe World Made Plumb David Mura delete“South Carolina Sea Island” deleteWalking with Ghosts Marilyn Nelson delete“The Tulsa Convulsion” deleteFamily Trip to Oklahoma, 2018 Laura Newbern delete“Novella” deleteOn “Novella”  Annemarie Ní Churreáin delete“Six Ways to Wash Your Hands (Ayliffe 1978)” deleteIn the Shadow of Men Who Wanted to Conquer Wildness Alicia Ostriker delete“Listen” delete“Listen”: A Mother-Daughter Poem and How It Grew Frank Paino delete“Swallow” deleteWriting My Obsessions Sara Pirkle delete“What Hurts” deleteListing and Listening John Poch delete“Denzel Sestina” deleteDenzel & Paisley Rekdal delete“Wild Horses” deleteOn Wild Horses Alberto Ríos delete“Refugio’s Hair” deleteThe Story Is Relative Tim Seibles delete“Movie” deleteThe Making of “Movie” Vijay Seshadri delete“Trailing Clouds of Glory” deleteSenate Bill 1070 and “Trailing Clouds of Glory” Patricia Smith delete“Coo Coo Cachoo” deleteA Badass Woman Revises, Never Compromises Virgil Suárez delete“The Cotton Ball Queen” deleteNursing People Back to Health Mai Der Vang delete“Prayer to the Redwood” deleteEver More Poems: A Poetics of Creation and Abundance William Walsh delete“Why Otters Hold Hands” deleteWhen a Young Woman Must Afaa M. Weaver delete“Thelonius” deleteLiner Notes for “Thelonius” Artress Bethany White delete“Vibrio Cholerae” deleteDocumenting Freedom at the Intersection of History and Disease in “Vibrio Cholerae” Carey Scott Wilkerson delete“Summer’s End” deletePoetry and Paradox and the Oracles of the Neighborhood William Wright delete“To a Minor Chinese Poet of the Kunlun Mountains” deletePersonal Grief as Empathetic Imagination Jenny Xie delete“Melancholia” deleteProbing Opacity Monica Youn delete“A Guide to Usage: Mine” deleteMining the Word Contributor Notes Credits and Permissions Index"

Reviews

“Walsh does a great service to the lover of poetry…. Not only do you get exceptional poems; you also hear from the poets themselves about what inspired them, how they chose language and form, how they struggled to give birth to the version they finally shared with the world.”—Clayton Ramsey, Glint Literary Journal


"""Walsh does a great service to the lover of poetry.... Not only do you get exceptional poems; you also hear from the poets themselves about what inspired them, how they chose language and form, how they struggled to give birth to the version they finally shared with the world.""--Clayton Ramsey, Glint Literary Journal"


Author Information

William Walsh, the author of eight books, is the director of the Reinhardt University undergraduate creative writing program and the MFA program. He has been published in such journals as Five Points, The Georgia Review, The Kenyon Review and Literary Matters. He lives in Atlanta, Georgia.

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